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anyard i The wardrobe mirror in their room swings you out beyond the precinct and the swimming pool with all its voices in the roof. The fire station’s across the road and the ambulance service like a soap though you never hear a siren. You stand on the balcony of the maisonette. Look down that road you used to know, and there you are with your mum, wheeling her tartan bag from bingo or sitting in the indoor market at a table with glass coffee cups, never closer. That winter your friend is seventeen like you but somehow has learned to drive. It’s a Saab, just about, a car, white like the inch-thick snow and the windscreen wipers don’t work. But it goes all the way to the Rifleman Volunteer on New Years’ Eve, where a girl in Lincoln green and tights in this weather whispers in your ear. When you lie in the road, it’s summer again, a book, a tan, a dayglo tent and a dozen bands of new to the world music. A joss stick, a lava lamp you take the top off and climb in, it isn’t what you expected, looking out, happy. You wear a jacket with chalk in the pocket. Someone pulls a lanyard into a noose. It’s as exciting as they say and suits you, already your hair. A shoulder bag briefcase with dry markers and marking, you wake two stations past home. In a raked theatre they write down dates, lines you flourish to remind them, how did someone 65
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so long ago make all this with only 26 letters and no screen not even a petrol engine let alone Ryanair. You learn to abseil for charity from the side of Z Block, ten storeys. You never get the hang of the whiteboard but are first to the photocopier. The textbook with the tiring house of prodigious memory. You live in the canteen, 821, you and Nick Drake. The volumes are hardback and open with a creak, sprout slips of paper in your hands with facts and conjecture. You lie down in the pond because it’s also summer. What you see you never say. The fear and joy expand but you’re looking the other way. The mirror is all you are and almost everyone. At some stage this becomes a loft extension and cellar conversion with a few hundred square miles of country in between. You take a wrong turn but it’s still early. You don’t know and press on, and when you realise you press on. Abruptly you’re shrinking. Even you notice though you see it every day, like sneaking up. It’s because you are old, older, oldest. Somebody’s sex life for so long in your head takes up residence in another part of the body though unfortunately not that one. At night the sky is full of mostly black, then two or three binary stars, so many more than you knew and none of them visible to the naked eye. So, July, you stand last thing with binoculars and look at one phase of the moon in particular where someone from the future or a picture book waves and you wave back forgetting magnification is only ever one way. You might just as well whisper. 66

anyard i

The wardrobe mirror in their room swings you out beyond the precinct and the swimming pool with all its voices in the roof. The fire station’s across the road and the ambulance service like a soap though you never hear a siren. You stand on the balcony of the maisonette. Look down that road you used to know, and there you are with your mum, wheeling her tartan bag from bingo or sitting in the indoor market at a table with glass coffee cups, never closer. That winter your friend is seventeen like you but somehow has learned to drive. It’s a Saab, just about, a car, white like the inch-thick snow and the windscreen wipers don’t work. But it goes all the way to the Rifleman Volunteer on New Years’ Eve, where a girl in Lincoln green and tights in this weather whispers in your ear. When you lie in the road, it’s summer again, a book, a tan, a dayglo tent and a dozen bands of new to the world music. A joss stick, a lava lamp you take the top off and climb in, it isn’t what you expected, looking out, happy. You wear a jacket with chalk in the pocket. Someone pulls a lanyard into a noose. It’s as exciting as they say and suits you, already your hair. A shoulder bag briefcase with dry markers and marking, you wake two stations past home. In a raked theatre they write down dates, lines you flourish to remind them, how did someone

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