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CONTENTS Volume 100 Number 1216 EDITORIAL Phone 020 7738 5454 email gramophone@markallengroup.com EDITOR AND PUBLISHER Martin Cullingford DEPUTY EDITOR Sarah Kirkup REVIEWS EDITOR Tim Parry ONLINE CONTENT EDITOR James McCarthy SUB EDITOR David Threasher SUB EDITOR Marija uric´ Speare ART DIRECTOR Dinah Lone PICTURE EDITOR Sunita Sharma-Gibson AUDIO EDITOR Andrew Everard EDITORIAL ADMINISTRATOR Libby McPhee EDITOR IN CHIEF James Jolly WITH THANKS TO Edward Christian-Hare ADVERTISING email advertising@gramophone.co.uk COMMERCIAL MANAGER Esther Zuke / 020 7501 6368 SENIOR ACCOUNT MANAGER James McMahon / 07967 169001 SUBSCRIPTIONS AND BACK ISSUES 0800 137201 (UK) +44 (0)1722 716997 (overseas) subscriptions@markallengroup.com PUBLISHING HEAD OF MARKETING John Barnett / 020 7501 6233 GROUP INSTITUTIONAL SALES MANAGER Jas Atwal PRODUCTION DIRECTOR Richard Hamshere / 01722 716997 PRODUCTION MANAGER Kyri Apostolou CIRCULATION DIRECTOR Sally Boettcher / 01722 716997 SUBSCRIPTIONS MANAGER Bethany Foy / 01722 716997 EDITORIAL DIRECTOR Martin Cullingford MANAGING DIRECTOR Paul Geoghegan CHIEF EXECUTIVE OFFICER Ben Allen CHAIRMAN Mark Allen www.markallengroup.com GRAMOPHONE is published by MA Music Leisure & Travel Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom. gramophone.co.uk email gramophone@markallengroup.com or subscriptions@markallengroup.com ISSN 0017 310X. The August issue is on sale from July 13; the September issue will be on sale from August 10 (both UK). Every effort has been made to ensure the accuracy of statements in this magazine but we cannot accept responsibility for errors or omissions, or for matters arising from clerical or printers’ errors, or an advertiser not completing his contract. Regarding concert listings, all information is correct at the time of going to press. Letters to the editor requiring a personal reply should be accompanied by a stamped addressed envelope. We have made every effort to secure permission to use copyright material. Where material has been used inadvertently or we have been unable to trace the copyright owner, acknowledgement will be made in a future issue. UK subscription rate £77. Printed in England by Precision Colour Printing. North American edition (ISSN 0017-310X): Gramophone, USPS 881080, is published monthly with an additional issue in October by MA Music Leisure & Travel Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom. The US annual subscription price is $114. Airfreight and mailing in the USA by agent named WN Shipping USA, 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Periodicals postage paid at Jamaica NY 11431. US Postmaster: Send address changes to Gramophone, WN Shipping USA, 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Subscription records are maintained at MA Music Leisure & Travel Ltd, Unit A, Buildings 1-5 Dinton Business Park, Catherine Ford Road, Dinton, Salisbury, Wiltshire SP3 5HZ, UK. Air Business Ltd is acting as our mailing agent. © MA Music Leisure & Travel Ltd, 2022. All rights reserved. No part of the Gramophone may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without prior written permission of the Publishing Director. Please read our privacy policy, by visiting privacypolicy.markallengroup.com. This will explain how we process, use & safeguard your data. The views expressed do not necessarily represent those of the editor or Gramophone. Advertisements in the journal do not imply endorsement of the products or services advertised. EDITOR’S CHOICE The 12 most highly recommended recordings reviewed in this issue RECORDING OF THE MONTH Mark Pullinger welcomes a magisterial survey of the complete songs of Gabriel Fauré, unusually sung by a single singer, the tenor Cyrille Dubois, and expertly partnered by pianist Tristan Raës ORCHESTRAL The latest Bruckner from Markus Poschner; John Wilson conducts John Ireland; Strauss from Cleveland; Boult’s live Vaughan Williams CHAMBER The Heath Quartet record Berg, Schoenberg and Webern; Franck’s complete chamber works INSTRUMENTAL Bach from cellist Marina Tarasova; Grieg from Peter Donohoe; Can Çakmur’s latest album VOCAL Konstantin Krimmel sings Liszt; Schubert albums from Gerald Finley and Samuel Hasselhorn ONLINE CONCERTS & EVENTS Peter Quantrill recommends some online viewing OPERA Mozart’s Lucio Silla; Samuel Mariño’s ‘Sopranista’ JAZZ & WORLD MUSIC Reviews from our sister titles Jazzwise and Songlines REISSUES Dimitri Mitropoulos and Jacqueline Du Pré BOX-SET ROUND-UP REPLAY Rob Cowan on recent releases from the archives CLASSICS RECONSIDERED Richard Fairman and Hugo Shirley revisit Gardiner’s recording of Idomeneo from 1990 BOOKS Britten essays; exploring the 20th century GRAMOPHONE COLLECTION Mark Pullinger immerses himself in Tosca recordings and sorts the heroes from the villains REVIEWS INDEX FOR THE RECORD The latest news – plus a catch-up with Director of the BBC Proms David Pickard, and a ‘What Next?’ guide that starts with Mozart’s Requiem LETTERS AND OBITUARIES In favour of divided violins – plus we pay tribute to the British conductor David Lloyd-Jones FRANÇOIS-XAVIER ROTH We interview the irrepressible French conductor about his period-instrument approach to Mahler’s Fourth Symphony, a work he has just recorded with Les Siècles for Harmonia Mundi MEETING ANNA LAPWOOD Editor Martin Cullingford meets the British organist and conductor and finds a musician whose imagination and open-mindedness make her a dream ambassador for classical music MUSICIAN AND THE SCORE David Patrick Stearns talks to Manfred Honeck about the conductor’s definitive interpretation of Beethoven’s Pastoral Symphony – a work he has recorded with the Pittsburgh Symphony Orchestra ICONS € Stephen Cera celebrates the great Austrian pianist Artur Schnabel, who revolutionised the recording industry when he recorded the first-ever set of the complete Beethoven piano sonatas CONTEMPORARY COMPOSERS Pwyll ap Siôn paints a fascinating portrait of Arvo Pärt, reminding us of the many sides to this Estonian composer that are often overlooked. By reclaiming the more human elements of the composer’s character, he asks, can we end up with a better understanding of his music? HIGH FIDELITY The latest from the world of audio equipment: the future of the hi-fi amplifier, a slimline network audio player, and how to choose the right speakers MY MUSIC The Booker Prize-winning author DBC Pierre on Howard Hanson’s Second Symphony – a work that brought him back from the abyss 4 GRAMOPHONE AUGUST 2022 gramophone.co.uk

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CONTENTS Volume 100 Number 1216

EDITORIAL Phone 020 7738 5454 email gramophone@markallengroup.com EDITOR AND PUBLISHER Martin Cullingford DEPUTY EDITOR Sarah Kirkup REVIEWS EDITOR Tim Parry ONLINE CONTENT EDITOR James McCarthy SUB EDITOR David Threasher SUB EDITOR Marija uric´ Speare ART DIRECTOR Dinah Lone PICTURE EDITOR Sunita Sharma-Gibson AUDIO EDITOR Andrew Everard EDITORIAL ADMINISTRATOR Libby McPhee EDITOR IN CHIEF James Jolly WITH THANKS TO Edward Christian-Hare ADVERTISING email advertising@gramophone.co.uk COMMERCIAL MANAGER Esther Zuke / 020 7501 6368 SENIOR ACCOUNT MANAGER James McMahon / 07967 169001

SUBSCRIPTIONS AND BACK ISSUES 0800 137201 (UK) +44 (0)1722 716997 (overseas) subscriptions@markallengroup.com

PUBLISHING HEAD OF MARKETING John Barnett / 020 7501 6233 GROUP INSTITUTIONAL SALES MANAGER Jas Atwal PRODUCTION DIRECTOR Richard Hamshere / 01722 716997 PRODUCTION MANAGER Kyri Apostolou CIRCULATION DIRECTOR Sally Boettcher / 01722 716997 SUBSCRIPTIONS MANAGER Bethany Foy / 01722 716997 EDITORIAL DIRECTOR Martin Cullingford MANAGING DIRECTOR Paul Geoghegan CHIEF EXECUTIVE OFFICER Ben Allen CHAIRMAN Mark Allen www.markallengroup.com

GRAMOPHONE is published by MA Music Leisure & Travel Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom. gramophone.co.uk email gramophone@markallengroup.com or subscriptions@markallengroup.com ISSN 0017 310X.

The August issue is on sale from July 13; the September issue will be on sale from August 10 (both UK). Every effort has been made to ensure the accuracy of statements in this magazine but we cannot accept responsibility for errors or omissions, or for matters arising from clerical or printers’ errors, or an advertiser not completing his contract. Regarding concert listings, all information is correct at the time of going to press. Letters to the editor requiring a personal reply should be accompanied by a stamped addressed envelope. We have made every effort to secure permission to use copyright material. Where material has been used inadvertently or we have been unable to trace the copyright owner, acknowledgement will be made in a future issue. UK subscription rate £77. Printed in England by Precision Colour Printing. North American edition (ISSN 0017-310X): Gramophone, USPS 881080, is published monthly with an additional issue in October by MA Music Leisure & Travel Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom. The US annual subscription price is $114. Airfreight and mailing in the USA by agent named WN Shipping USA, 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Periodicals postage paid at Jamaica NY 11431. US Postmaster: Send address changes to Gramophone, WN Shipping USA, 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Subscription records are maintained at MA Music Leisure & Travel Ltd, Unit A, Buildings 1-5 Dinton Business Park, Catherine Ford Road, Dinton, Salisbury, Wiltshire SP3 5HZ, UK. Air Business Ltd is acting as our mailing agent. © MA Music Leisure & Travel Ltd, 2022. All rights reserved. No part of the Gramophone may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without prior written permission of the Publishing Director. Please read our privacy policy, by visiting privacypolicy.markallengroup.com. This will explain how we process, use & safeguard your data. The views expressed do not necessarily represent those of the editor or Gramophone. Advertisements in the journal do not imply endorsement of the products or services advertised.

EDITOR’S CHOICE

The 12 most highly recommended recordings reviewed in this issue

RECORDING OF THE MONTH Mark Pullinger welcomes a magisterial survey of the complete songs of Gabriel Fauré, unusually sung by a single singer, the tenor Cyrille Dubois, and expertly partnered by pianist Tristan Raës

ORCHESTRAL

The latest Bruckner from Markus Poschner; John Wilson conducts John Ireland; Strauss from Cleveland; Boult’s live Vaughan Williams

CHAMBER

The Heath Quartet record Berg, Schoenberg and Webern; Franck’s complete chamber works

INSTRUMENTAL

Bach from cellist Marina Tarasova; Grieg from Peter Donohoe; Can Çakmur’s latest album

VOCAL

Konstantin Krimmel sings Liszt; Schubert albums from Gerald Finley and Samuel Hasselhorn

ONLINE CONCERTS & EVENTS Peter Quantrill recommends some online viewing

OPERA

Mozart’s Lucio Silla; Samuel Mariño’s ‘Sopranista’

JAZZ & WORLD MUSIC

Reviews from our sister titles Jazzwise and Songlines

REISSUES

Dimitri Mitropoulos and Jacqueline Du Pré

BOX-SET ROUND-UP

REPLAY

Rob Cowan on recent releases from the archives

CLASSICS RECONSIDERED Richard Fairman and Hugo Shirley revisit Gardiner’s recording of Idomeneo from 1990

BOOKS

Britten essays; exploring the 20th century

GRAMOPHONE COLLECTION Mark Pullinger immerses himself in Tosca recordings and sorts the heroes from the villains

REVIEWS INDEX

FOR THE RECORD

The latest news – plus a catch-up with Director of the BBC Proms David Pickard, and a ‘What Next?’ guide that starts with Mozart’s Requiem

LETTERS AND OBITUARIES In favour of divided violins – plus we pay tribute to the British conductor David Lloyd-Jones

FRANÇOIS-XAVIER ROTH We interview the irrepressible French conductor about his period-instrument approach to Mahler’s Fourth Symphony, a work he has just recorded with Les Siècles for Harmonia Mundi

MEETING ANNA LAPWOOD Editor Martin Cullingford meets the British organist and conductor and finds a musician whose imagination and open-mindedness make her a dream ambassador for classical music

MUSICIAN AND THE SCORE David Patrick Stearns talks to Manfred Honeck about the conductor’s definitive interpretation of Beethoven’s Pastoral Symphony – a work he has recorded with the Pittsburgh Symphony Orchestra

ICONS

€

Stephen Cera celebrates the great Austrian pianist Artur Schnabel, who revolutionised the recording industry when he recorded the first-ever set of the complete Beethoven piano sonatas CONTEMPORARY COMPOSERS Pwyll ap Siôn paints a fascinating portrait of Arvo Pärt, reminding us of the many sides to this Estonian composer that are often overlooked. By reclaiming the more human elements of the composer’s character, he asks, can we end up with a better understanding of his music?

HIGH FIDELITY

The latest from the world of audio equipment: the future of the hi-fi amplifier, a slimline network audio player, and how to choose the right speakers

MY MUSIC

The Booker Prize-winning author DBC Pierre on Howard Hanson’s Second Symphony – a work that brought him back from the abyss

4 GRAMOPHONE AUGUST 2022

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