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CONTENTS 6 30 66 UPFRONT 6 Editorial 7 Vale Graham Oldroyd 8 Vale Merran Esson 10 Vale Noel Flood 12 In The Spotlight 16 Shards 60 YEARS 18 Sixty Year Reflections 20 Contribution by Damon Moon FOCUS: MAKING & SELLING 32 Reflections on Making and Selling 38 Australian Potters Smash Record Prices by Andrew Shapiro 44 Woodfiring in 2022 by Ursula Burgoyne 52 Clay Tobacco Pipes by Dr Fiona Starr 55 Ceramic Coins by Ann Ferguson, Jodi Newcombe and Dale Cox 58 Studio Enti Vicki Grima interviews Naomi Taplin 64 Mugs On Mugs by Em Frank and Hazi Nagel PEOPLE & PLACES 68 Ceramics at Ace Hotel by Chloe Borich 72 Andrea Vinkovic’s Emergence Venice Biennale 2022 by Janet Hummerston 76 Reflecting on Apmere Mparntwe: The Australian Ceramics Triennale 2022 4 | THE JOURNAL OF AUSTRALIAN CERAMICS | NOVEMBER 2022
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80 104 120 ART & OBJECTS 82 Towards Equity in Australian Ceramics by Laura Dortmans 88 North Queensland Ceramic Awards by Dianne Peach 92 If You Know, You Know by Sophia Cai 96 Kimwoochang’s Moon Jar Exhibition 99 Potters Marks PROMOTION 100 Kerrie Lowe Gallery MATERIALS & PROCESS 106 Hot Gossip #3 Kiln Elements by Dr Antony Gross 108 NAVA’s Code of Practice Tips 112 Naked Raku by Mike Olsen 117 Making to Sell The Unspoken Truths WEDGE 119 Finding Your Audience by Shannon Garson COMMUNITY & CONVERSATION 122 Cuptain Planet, ACT 124 Vanessa Walsh, NSW 126 Gretel Bull, NT 128 Catherine and Warren Ogden, QLD 130 Michael Carney, SA 132 Painters on Pots, TAS 134 Harlinah Teoh, VIC 136 Jolene Hewison, WA Front cover: Glenn Barkley, Wall Vase for Jonathan Leak, 2022, Bennetts terracotta, earthenware glazes, gold lustre approx. h: 300cm, w.150cm; courtesy artist and Sullivan & Strumpf; photo: Anson Smart, courtesy Ace Hotel Sydney Back cover: Barkley work installed in LOAM, Ace Hotel Sydney, h.368cm, w.125cm; photo: courtesy Ace Hotel Sydney and Buffet This wall panel references the work of the convict potter Jonathan Leak whose kiln was on the site of Ace Hotel. The piece is anchored by a large shell vase that references the late 18th century European tradition that has been called ‘vasemania’ – where images of vases were used as lavish decoration in interiors – roughly contemporaneous at the time Leak was making his rustic bottles and bricks. It is installed on Gadigal Land, Sydney, and was made there and on Yuin Country, Broughton, south coast NSW. | 5 | 5

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CONTENTS

6

30

66

UPFRONT 6 Editorial 7 Vale Graham Oldroyd 8 Vale Merran Esson 10 Vale Noel Flood 12 In The Spotlight 16 Shards

60 YEARS

18 Sixty Year Reflections

20 Contribution by Damon Moon

FOCUS: MAKING & SELLING

32 Reflections on Making and Selling

38 Australian Potters

Smash Record Prices by Andrew Shapiro

44 Woodfiring in 2022

by Ursula Burgoyne

52 Clay Tobacco Pipes by Dr Fiona Starr

55 Ceramic Coins by Ann Ferguson, Jodi Newcombe and Dale Cox

58 Studio Enti

Vicki Grima interviews Naomi Taplin

64 Mugs On Mugs by Em Frank and Hazi Nagel

PEOPLE & PLACES 68 Ceramics at Ace Hotel by Chloe Borich

72 Andrea Vinkovic’s

Emergence Venice Biennale 2022 by Janet Hummerston

76 Reflecting on Apmere

Mparntwe: The Australian Ceramics Triennale 2022

4 | THE JOURNAL OF AUSTRALIAN CERAMICS | NOVEMBER 2022

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