CONTENTS Volume 100 Number 122 1
EDITORIAL Phone 020 7738 5454 email firstname.lastname@example.org EDITOR AND PUBLISHER Martin Cullingford DEPUTY EDITOR Sarah Kirkup REVIEWS EDITOR Tim Parry ONLINE CONTENT EDITOR James McCarthy SUB EDITORS David Threasher; Marija uric´ Speare EDITORIAL ASSISTANTS Hattie Butterworth; Eleanor Burgess EDITORIAL ADMINISTRATOR Libby McPhee ART DIRECTOR Dinah Lone PICTURE EDITOR Sunita Sharma-Gibson AUDIO EDITOR Andrew Everard EDITOR IN CHIEF James Jolly WITH THANKS TO Jasmine Cullingford
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GRAMOPHONE is published by MA Music Leisure & Travel Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom. gramophone.co.uk email email@example.com or firstname.lastname@example.org ISSN 0017 310X.
The 12 most highly recommended recordings reviewed in this issue
RECORDING OF THE MONTH Harriet Smith is hugely impressed by peerless accounts of transcriptions by Liszt and Alkan of masterpieces by Beethoven and Mozart, played with drive and flair by pianist Paul Wee
Bach from John Butt and his Dunedin Consort; live Tchaikovsky from the LSO and Noseda; Brabbins continues his Vaughan Williams cycle
The Talich Quartet play Dvo∑ák; a rare exploration of canons by Mozart and Telemann
Bach on the bassoon; Mao Fujita plays Mozart’s piano sonatas; Paul Lewis returns to Schubert
An all-star Theodora; Łukaszewski from Latvia; Pappano’s Rossini; Marina Rebeka’s French voyage
ONLINE CONCERTS & EVENTS Peter Quantrill reports on online music-making
Monteverdi’s L’Orfeo; a Verdian rarity
JAZZ & WORLD MUSIC
Reviews from our sister titles Jazzwise and Songlines
Adrian Boult’s legacy; Dmitri Hvorostovsky
Rob Cowan on recent releases from the archives
CLASSICS RECONSIDERED Two critics discuss Stravinsky’s 1961 recording of his own Symphony in Three Movements
Vaughan Williams; Diaghilev’s Ballets Russes
GRAMOPHONE COLLECTION Jeremy Nicholas compares recordings of Liszt’s devilish Totentanz and identifies the finest versions
FOR THE RECORD
The latest news, including the Handel and Haydn Society’s appointment of a new Artistic Director and the launch of the Curtis Institute’s record label – plus Will Fraser, the Director of Fugue State Films, talks about his mission to champion the organ, we step inside Edinburgh’s Usher Hall, and James Jolly talks about the Birgit Nilsson Prize with Susanne Rydén
LETTERS AND OBITUARIES In praise of Sir Adrian Boult’s illuminating Elgar; we pay tribute to the conductor Libor Pe≈ek
CÉSAR FRANCK AT
He may have received little recognition as a composer during his lifetime but, writes Jeremy Nicholas, the extraordinary organist produced a series of masterpieces during his final years that are recognised as such today
CRITICS’ CHOICE RETURNS Our annual gift guide is back! Our expert reviewers each choose an outstanding classical recording reviewed by us in the past 12 months
CHRISTMAS ROUND-UP David Threasher listens to a selection of this year’s seasonal offerings, from Oxbridge college fare to continental brass arrangements. Getting into the festive spirit has never been easier!
MUSICIAN AND THE SCORE Renaud Capuçon chats enthusiastically to Charlotte Gardner about his approach to Schumann’s impulsive Violin Sonata No 1
Stephen Cera celebrates the playing qualities and varied achievements of Swiss pianist Edwin Fischer
CONTEMPORARY COMPOSERS Could there be a more radical mould-breaker than the US artist-composer Meredith Monk?
The latest from the world of audio equipment
Chef Kenji López-Alt on his love of Beethoven
4 GRAMOPHONE DECEMBER 2022
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