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12 Editorial

37 Harbouring home:

Do Ho Suh at the MCA En Young Ahn

40 Serial affirmations:

The 5th Aichi Triennale Emily Wakeling, Aichi Prefecture

44 documenta 15: ruangrupa’s trial in radical hospitality Pat Hoffie, Kassel

48 Altered states:

Jeremy Shaw at MONA Yarran Gatsby, nipaluna/Hobart

50 Exploring a medium:

‘Clay Dynasty’ at the Powerhouse Julia Jones, Warrang/Sydney

52 Tonal dissonance:

Max Meldrum in Ballarat Juliette Peers, Ballarat

54 Echoes and excavations:

Narelle Jubelin’s ‘Nalgures’ (Someplace) Ann Stephen, Santiago de Compostela

64 Material truths:

‘Glasstress 2022: State of Mind’ Zsuzsanna Soboslay, Venice

70 From breath: Yhonnie Scarce’s storytelling in glass Tina Baum (Gulumirrgin [Larrakia]/ Wardaman/Karajarri)

74 Blanche Tilden: Making memories and meaning in glass Kelly Gellatly

78 Layered landscapes in

Australian glass Jeffrey Sarmiento

84 In good company:

Klaus Moje’s wall panels Nola Anderson

92 The chrysalis effect:

Thinking through new practices in glass Julie Ewington

100 Being ‘mediumed’:

Louis Grant and Spence Messih Robert Cook

108 Generating a new methodology in glass: Consuelo Cavaniglia in conversation with Aimee Frodsham


Cover: Consuelo Cavaniglia, lying beside you, 2022, installation view, STATION, Naarm/Melbourne, 2022; blown glass, acrylic sheet; courtesy the artist and STATION, Naarm/Melbourne and Warrang/Sydney; photo: Hayman Design

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