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Editor-In-Chief Si Truss, simon.truss@futurenet.com Reviews Editor, Music Technology Simon Arblaster, simon.arblaster@futurenet.com Features Editor, Music Technology Matt Mullen, matt.mullen@futurenet.com Managing Editor Kate Puttick, kate.puttick@futurenet.com Production Editor Stanley Bull, stanley.bull@futurenet.com Art Editor Phil Cheesbrough, philip.cheesbrough@futurenet.com
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Future Music, ISSN 0967-0378, is published monthly with an extra issue in December by Future Publishing, Quay House, The Ambury, Bath, BA1 1UA, UK The US annual subscription price is $197.60. Airfreight and mailing in the USA by agent named World Container Inc, c/o BBT, 150-15 183rd St, Jamaica, NY 11413, USA. Application to Mail at Periodicals Postage Prices is Pending at Brooklyn NY 11256. US POSTMASTER: Send address changes to Future Music, World Container Inc, c/o BBT, 150-15 183rd St, Jamaica, NY 11413, USA Subscription records are maintained at Future Publishing, c/o Air Business Subscriptions, Rockwood House, Perrymount Road, Haywards Heath, West Sussex, RH16 3DH, UK
Synth showdown Despite electronic music being ostensibly forward-thinking, we producers can be as backward-looking as any misty- eyed rock revivalist. Ask an electronic musician to name the ‘greatest synth’ and nine times out of ten they’ll reel off a list of instruments released in the ’70s and ’80s. Truth is though, thanks to advances in technology, design and manufacturing, the synth market has never been as varied, accessible and open as it is right now.
This issue, we’re celebrating the best that contemporary synth design has to offer, by putting 10 flagship polys head-to-head. Our line-up covers everything from vintage analogue to boundary-pushing digital synthesis. A little something for everyone. But which machines will come out on top? Head for page 30 to find out. We hope you enjoy the issue.
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Si Truss, Editor-In-Chief simon.truss@futurenet.com
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