welcome / computer music < HOW TO USE Whenever you see this icon, you can grab the files on your PC or Mac by going to bit.ly/cm322downloads Tutorials featuring this icon make use of our own Plugins – find out more at bit.ly/cm322downloads FILES This icon means there are extra files to help you follow a tutorial feature: project files, audio examples, etc There’s extra video content wherever you see this icon Subscribe to Computer Music! See p94 Where to get PRINT in stores and online magazinesdirect.com iOS APP STORE for iPad, iPhone & iPod touch computermusic.co.uk/cmdigital ZINIO for PC, Mac, Android, iPad & more zinio.com GOOGLE PLAY for Android & Chrome for PC/Mac play.google.com WWW musicradar.com/computermusic computermusic@futurenet.com facebook.com/computer.music.mag twitter.com/computermusicuk youtube.com/computermusicmag instagram.com/computermusicmag SCAN TO GET OUR WEEKLY NEWSLETTER DOWNLOAD See page 81 to f ind out how to download this issue’s exclusive content ALL NEW DOWNLOAD SYSTEM welcome When you really think about it, all music-making is essentially about storytelling. Yet, as both creatives and producers, we can frequently ind ourselves getting bogged down in the minutiae; questing for that perfect snare sound or fastidiously EQing our mix. While we might be enthralled by the production process, we want people to hear our tracks, right? Making music that the crowd beyond the door of your studio will love forces you to think what your music is saying – and how it’s saying it. Arranging is really about making your track communicate its intentions. If you’ve written a blinding hook or earth-shaking drop, you’re going to want to signpost their arrival by building suspense and teasing the ears of the listener. It’s these type of choices that come under big focus in this month’s cover feature, serving fresh insight and tested wisdom on the often confusing decision-making required. Head to p16 to make a start. Elsewhere this issue, the MPG Award-winning engineer Manon Grandjean speaks to us about her ever-evolving career, as well as detailing some choice software mixing tools. Then there’s electronic soundsmith Suki Sou, who shares why she’s all set to embrace the AI revolution. On a similar track, videogame soundtracker Tom Salta launches his brand new automation plugin, Auto-Bounce and explains why it’s the ultimate Logic time-saver on p32. On the test-bench, we’ve got a pile of divine synths, a shimmering reverb and a retro-leaning method to control your MIDI via a joystick. Your free plugin this month, Modalics EON Arp, o fers up a new way to get rippling movement. Download it and use it to spin a new sonic yarn… Andy Price Editor andy.price@futurenet.com