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www.dramaandtheatre.co.uk EDITORIAL Phone +44 (0)20 7333 1748 Email drama.theatre@markallengroup.com Editor Freya Parr Assistant Editor Hattie Fisk Design Hal Bannister EDITORIAL BOARD Marie Bessant Subject Advisor – Music and Performing Arts, OCR; Baroness Jane Bonham-Carter Member of the House of Lords, Liberal Democrat Spokesperson DCMS and champion of the arts in education; Selina Cadell Actor, director, and teacher; Paul Clarkson Head of Acting Courses, Bristol Old Vic Theatre School; Liam Harris Chair of The National Association for the Teaching of Drama; Wyn Jones Subject Officer, Drama, Eduqas; Paul Stover Curriculum Support Manager for the Creative Arts, AQA; Ali Warren Representative of Open Drama UK; Paul Webster Subject Advisor for Performing Arts and Drama, Edexcel (Pearson); Rob Young Head of Technical Training, LAMDA ADVERTISING Head of Sales Amy Driscoll, +44 (0)20 7333 1719 amy.driscoll@markallengroup.com Production Controller Daniela Di Padova, +44 (0)20 7333 1727 Daniela.DiPadova@markallengroup.com SUBSCRIPTIONS AND BACK ISSUES Phone UK 0800 137201 Overseas +44(0)1722 716997 Email subscriptions@markallengroup.com Subscriptions Manager Bethany Foy UK Subscription Rate £55 PUBLISHING Phone +44(0)20 7738 5454 Publisher Amy Driscoll Managing Director Ravi Chandiramani Head of Marketing Will Woodrow Marketing Assistant Chloe Young Group Institutional Sales Manager Jas Atwal Production Director Richard Hamshere Circulation Director Sally Boettcher Chief Operating Officer Jon Benson Chief Executive Officer Ben Allen Chairman Mark Allen Part of www.markallengroup.com Drama & Theatre, ISSN 1755-6716, is published monthly by MA Education Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom. Subscription records are maintained at MA Education Ltd, Unit A, Buildings 1-5 Dinton Business Park, Catherine Ford Road, Dinton, Salisbury, Wiltshire SP3 5HZ. © MA Education Ltd, 2022. All rights reserved. No part of Drama & Theatre may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without prior written permission of the publishing director. The views expressed do not necessarily represent those of the editor. The presence of advertisements in Drama & Theatre implies no endorsement of the products or services offered. Every effort has been made to ensure the accuracy of statements in this magazine but we cannot accept responsibility for errors or omissions, or for matters arising from clerical or printers’ errors, or an advertiser not completing their contract. We have made every effort to secure permission to use copyright material. Where material has been used inadvertently or we have been unable to trace the copyright owner, acknowledgement will be made in a future issue. Please read our privacy policy by visiting http://privacypolicy. markallengroup.com. This will explain how we process, use and safeguard your data. Printed in the UK by Pensord, Pontllanfraith, Blackwood, NP12 2YA www.dramaandtheatre.co.uk Editorial Back to school P encils sharpened, bags packed... it’s that time of year again! Returning to school after the summer holidays can be a bit of a shock to the system, so hopefully this issue of Drama & Theatre should help ease you back in and give you a few ideas as you start writing lesson plans and thinking about the year ahead. This issue, I was thrilled to be able to highlight a new field being developed in film and TV: intimacy practice (p16). Like many of you, I thoroughly enjoyed Netflix’s Sex Education and BBC’s Normal People, so have been following the commentary about the role of intimacy coordinator Ita O’Brien and the pioneering role she is now playing in the this role being factored into productions both on stage and screen, and will be fascinating to see how drama schools respond to the growing demand for practitioners in this field. Congratulations must go to our newly promoted assistant editor Hattie Fisk, who is bringing us another exciting story about the restoration of one of London’s most iconic and historically important alternative theatre venues, Soho Poly (p32). While we are hearing so much about the threat of closure and pressures of funding faced by theatre companies and venues, it’s a joy to hear about a project of this magnitude. Also this issue, we find out more about the vibrant new series of theatre productions from the Roald Dahl Story Company (p25), and the company at the helm of the immersive theatre industry, which is now launching a range of training courses to help actors develop the skills needed for this unique artform (p36). As the school year kicks off and older students start thinking about their next steps beyond school, we’ve included a useful extract from Nick Moseley’s new book, Getting into Drama School: The Compact Guide, published by Nick Hern Books (p20). We hope you find this issue of Drama & Theatre to be a useful resource and wish you the very best of luck for the term ahead! Freya Parr, Editor @DramaAndTheatre fb.com/DramaTheatreMag dramaandtheatre.co.uk Twice each term of the academic year, Drama & Theatre brings you practical strategies, lesson plans, and inspiration to enhance your teaching. Whether you teach in a school context at primary or secondary level, lead extra-curricular drama workshops, or give private tuition, D &T is an invaluable resource written for teachers by teachers, playwrights and practitioners. Autumn Term 1 2023/24 Drama & Theatre 5

www.dramaandtheatre.co.uk

EDITORIAL Phone +44 (0)20 7333 1748 Email drama.theatre@markallengroup.com Editor Freya Parr Assistant Editor Hattie Fisk Design Hal Bannister

EDITORIAL BOARD Marie Bessant Subject Advisor – Music and Performing Arts, OCR; Baroness Jane Bonham-Carter Member of the House of Lords, Liberal Democrat Spokesperson DCMS and champion of the arts in education; Selina Cadell Actor, director, and teacher; Paul Clarkson Head of Acting Courses, Bristol Old Vic Theatre School; Liam Harris Chair of The National Association for the Teaching of Drama; Wyn Jones Subject Officer, Drama, Eduqas; Paul Stover Curriculum Support Manager for the Creative Arts, AQA; Ali Warren Representative of Open Drama UK; Paul Webster Subject Advisor for Performing Arts and Drama, Edexcel (Pearson); Rob Young Head of Technical Training, LAMDA

ADVERTISING Head of Sales Amy Driscoll, +44 (0)20 7333 1719 amy.driscoll@markallengroup.com Production Controller Daniela Di Padova, +44 (0)20 7333 1727 Daniela.DiPadova@markallengroup.com

SUBSCRIPTIONS AND BACK ISSUES Phone UK 0800 137201 Overseas +44(0)1722 716997 Email subscriptions@markallengroup.com Subscriptions Manager Bethany Foy UK Subscription Rate £55

PUBLISHING Phone +44(0)20 7738 5454 Publisher Amy Driscoll Managing Director Ravi Chandiramani Head of Marketing Will Woodrow Marketing Assistant Chloe Young Group Institutional Sales Manager Jas Atwal Production Director Richard Hamshere Circulation Director Sally Boettcher Chief Operating Officer Jon Benson Chief Executive Officer Ben Allen Chairman Mark Allen

Part of www.markallengroup.com

Drama & Theatre, ISSN 1755-6716, is published monthly by MA Education Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom.

Subscription records are maintained at MA Education Ltd, Unit A, Buildings 1-5 Dinton Business Park, Catherine Ford Road, Dinton, Salisbury, Wiltshire SP3 5HZ. © MA Education Ltd, 2022. All rights reserved. No part of Drama & Theatre may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without prior written permission of the publishing director. The views expressed do not necessarily represent those of the editor. The presence of advertisements in Drama & Theatre implies no endorsement of the products or services offered. Every effort has been made to ensure the accuracy of statements in this magazine but we cannot accept responsibility for errors or omissions, or for matters arising from clerical or printers’ errors, or an advertiser not completing their contract. We have made every effort to secure permission to use copyright material. Where material has been used inadvertently or we have been unable to trace the copyright owner, acknowledgement will be made in a future issue. Please read our privacy policy by visiting http://privacypolicy. markallengroup.com. This will explain how we process, use and safeguard your data. Printed in the UK by Pensord, Pontllanfraith, Blackwood, NP12 2YA

www.dramaandtheatre.co.uk

Editorial

Back to school P

encils sharpened, bags packed... it’s that time of year again! Returning to school after the summer holidays can be a bit of a shock to the system, so hopefully this issue of Drama & Theatre should help ease you back in and give you a few ideas as you start writing lesson plans and thinking about the year ahead.

This issue, I was thrilled to be able to highlight a new field being developed in film and TV: intimacy practice (p16). Like many of you, I thoroughly enjoyed Netflix’s Sex Education and BBC’s Normal People, so have been following the commentary about the role of intimacy coordinator Ita O’Brien and the pioneering role she is now playing in the this role being factored into productions both on stage and screen, and will be fascinating to see how drama schools respond to the growing demand for practitioners in this field.

Congratulations must go to our newly promoted assistant editor Hattie Fisk, who is bringing us another exciting story about the restoration of one of London’s most iconic and historically important alternative theatre venues, Soho Poly (p32). While we are hearing so much about the threat of closure and pressures of funding faced by theatre companies and venues, it’s a joy to hear about a project of this magnitude.

Also this issue, we find out more about the vibrant new series of theatre productions from the Roald Dahl Story Company (p25), and the company at the helm of the immersive theatre industry, which is now launching a range of training courses to help actors develop the skills needed for this unique artform (p36).

As the school year kicks off and older students start thinking about their next steps beyond school, we’ve included a useful extract from Nick Moseley’s new book, Getting into Drama School: The Compact Guide, published by Nick Hern Books (p20). We hope you find this issue of Drama & Theatre to be a useful resource and wish you the very best of luck for the term ahead!

Freya Parr, Editor

@DramaAndTheatre fb.com/DramaTheatreMag dramaandtheatre.co.uk

Twice each term of the academic year, Drama & Theatre brings you practical strategies, lesson plans, and inspiration to enhance your teaching. Whether you teach in a school context at primary or secondary level, lead extra-curricular drama workshops, or give private tuition, D &T is an invaluable resource written for teachers by teachers, playwrights and practitioners.

Autumn Term 1 2023/24 Drama & Theatre 5

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