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www.dramaandtheatre.co.uk EDITORIAL Phone +44 78813 16803 Email drama.theatre@markallengroup.com Editor Hattie Fisk Design Hal Bannister EDITORIAL BOARD Marie Bessant Subject Advisor – Music and Performing Arts, OCR; Baroness Jane Bonham-Carter Member of the House of Lords, Liberal Democrat Spokesperson DCMS and champion of the arts in education; Selina Cadell Actor, director, and teacher; Paul Clarkson Head of Acting Courses, Bristol Old Vic Theatre School; Liam Harris Chair of The National Association for the Teaching of Drama; Wyn Jones Subject Officer, Drama, Eduqas; Paul Stover Curriculum Support Manager for the Creative Arts, AQA; Ali Warren Representative of Open Drama UK; Paul Webster Subject Advisor for Performing Arts and Drama, Edexcel (Pearson); Rob Young Head of Technical Training, LAMDA ADVERTISING Head of Sales Amy Driscoll, +44 (0)20 7333 1719 amy.driscoll@markallengroup.com Production Controller Daniela Di Padova, +44 (0)20 7333 1727 Daniela.DiPadova@markallengroup.com SUBSCRIPTIONS AND BACK ISSUES Phone UK 0800 137201 Overseas +44(0)1722 716997 Email subscriptions@markallengroup.com Subscriptions Manager Bethany Foy UK Subscription Rate £55 PUBLISHING Phone +44(0)20 7738 5454 Publisher Amy Driscoll Managing Director Ravi Chandiramani Head of Marketing Will Woodrow Marketing Executive Max Crowland Marketing Graduate Yzanne Pepper Group Institutional Sales Manager Jas Atwal Production Director Richard Hamshere Circulation Director Sally Boettcher Chief Operating Officer Jon Benson Chief Executive Officer Ben Allen Chairman Mark Allen Part of www.markallengroup.com Drama & Theatre, ISSN 1755-6716, is published monthly by MA Education Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom. Subscription records are maintained at MA Education Ltd, Unit A, Buildings 1-5 Dinton Business Park, Catherine Ford Road, Dinton, Salisbury, Wiltshire SP3 5HZ. © MA Education Ltd, 2023. All rights reserved. No part of Drama & Theatre may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without prior written permission of the publishing director. The views expressed edo not necessarily represent those of the editor. The presence of advertisements in Drama & Theatre implies no endorsement of the products or services offered. Every effort has been made to ensure the accuracy of statements in this magazine but we cannot accept responsibility for errors or omissions, or for matters arising from clerical or printers’ errors, or an advertiser not completing their contract. We have made every effort to secure permission to use copyright material. Where material has been used inadvertently or we have been unable to trace the copyright owner, acknowledgement will be made in a future issue. Please read our privacy policy by visiting http://privacypolicy. markallengroup.com. This will explain how we process, use and safeguard your data. Printed in the UK by Pensord, Pontllanfraith, Blackwood, NP12 2YA www.dramaandtheatre.co.uk Editorial A curtain call H ello! I am Hattie Fisk, and I am honoured to say that I am now the editor of Drama & Theatre magazine. In her opening gambit to you all, Freya Parr (my wonderful predecessor) said that ‘for several years now it has felt as though the world of theatre has been in limbo’, and I vehemently agree. With the theatre industry on the brink of an artistic leadership reshuffle, the arts education sector limping through a clear lack of funding and subject uptake at an all-time low, there are many spinning plates to keep track of. In times like this it can be refreshing to celebrate the innovative and astounding work that teachers continue to do on the ground. On the topic, last month I was lucky enough to co-host the judging panel for the Music & Drama Education Awards, where I mediated our experts as they debated the 2024 winners. There have been some groundbreaking submissions for the awards this year; I can’t wait to celebrate some of the amazing work that goes on behind the scenes in schools, charities and theatres at the ceremony on 22 February. In features peppered throughout this issue I investigate the rise of audio plays for young people (p13), discuss Frantic Assembly’s Metamorphosis with Scott Graham (p14), and collate a list of accessible schemes for up-and-coming playwrights (p18). Elsewhere you will find a guide to using AI in the drama classroom (p21), practical suggestions for using drama to aid the tradition from Primary to Secondary school (p25) and meet artistic director Kerry Frampton from Splendid Productions (p31) ahead of her session at the Music & Drama Education Expo 2024. Having assisted in the editorial team on Drama & Theatre over the past two years or so, I know the important role that it serves our readers and I am thrilled to be steering the ship as it evolves further. My modus operandi is to ensure that this publication can be your first port of call for industry news, helpful drama activities and practical tips for your classroom. Please, if you have any ideas, queries (or you just fancy saying hello), do get in touch. As we muddle our way through ‘limbo’ together, I look forward to providing you with a sense of community through these pages – however fleetingly during your coffee breaks or on your commute home. Hattie Fisk, editor @DramaAndTheatre fb.com/DramaTheatreMag dramaandtheatre.co.uk Twice each term of the academic year, Drama & Theatre brings you practical strategies, lesson plans, and inspiration to enhance your teaching. Whether you teach in a school context at primary or secondary level, lead extra-curricular drama workshops, or give private tuition, D &T is an invaluable resource written for teachers by teachers, playwrights and practitioners. Spring Term 1 2023/24 Drama & Theatre 5

www.dramaandtheatre.co.uk

EDITORIAL Phone +44 78813 16803 Email drama.theatre@markallengroup.com Editor Hattie Fisk Design Hal Bannister

EDITORIAL BOARD Marie Bessant Subject Advisor – Music and Performing Arts, OCR; Baroness Jane Bonham-Carter Member of the House of Lords, Liberal Democrat Spokesperson DCMS and champion of the arts in education; Selina Cadell Actor, director, and teacher; Paul Clarkson Head of Acting Courses, Bristol Old Vic Theatre School; Liam Harris Chair of The National Association for the Teaching of Drama; Wyn Jones Subject Officer, Drama, Eduqas; Paul Stover Curriculum Support Manager for the Creative Arts, AQA; Ali Warren Representative of Open Drama UK; Paul Webster Subject Advisor for Performing Arts and Drama, Edexcel (Pearson); Rob Young Head of Technical Training, LAMDA

ADVERTISING Head of Sales Amy Driscoll, +44 (0)20 7333 1719 amy.driscoll@markallengroup.com Production Controller Daniela Di Padova, +44 (0)20 7333 1727 Daniela.DiPadova@markallengroup.com

SUBSCRIPTIONS AND BACK ISSUES Phone UK 0800 137201 Overseas +44(0)1722 716997 Email subscriptions@markallengroup.com Subscriptions Manager Bethany Foy UK Subscription Rate £55

PUBLISHING Phone +44(0)20 7738 5454 Publisher Amy Driscoll Managing Director Ravi Chandiramani Head of Marketing Will Woodrow Marketing Executive Max Crowland Marketing Graduate Yzanne Pepper Group Institutional Sales Manager Jas Atwal Production Director Richard Hamshere Circulation Director Sally Boettcher Chief Operating Officer Jon Benson Chief Executive Officer Ben Allen Chairman Mark Allen

Part of www.markallengroup.com

Drama & Theatre, ISSN 1755-6716, is published monthly by MA Education Ltd, St Jude’s Church, Dulwich Road, London SE24 0PB, United Kingdom.

Subscription records are maintained at MA Education Ltd, Unit A, Buildings 1-5 Dinton Business Park, Catherine Ford Road, Dinton, Salisbury, Wiltshire SP3 5HZ. © MA Education Ltd, 2023. All rights reserved. No part of Drama & Theatre may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without prior written permission of the publishing director. The views expressed edo not necessarily represent those of the editor. The presence of advertisements in Drama & Theatre implies no endorsement of the products or services offered. Every effort has been made to ensure the accuracy of statements in this magazine but we cannot accept responsibility for errors or omissions, or for matters arising from clerical or printers’ errors, or an advertiser not completing their contract. We have made every effort to secure permission to use copyright material. Where material has been used inadvertently or we have been unable to trace the copyright owner, acknowledgement will be made in a future issue. Please read our privacy policy by visiting http://privacypolicy. markallengroup.com. This will explain how we process, use and safeguard your data. Printed in the UK by Pensord, Pontllanfraith, Blackwood, NP12 2YA

www.dramaandtheatre.co.uk

Editorial

A curtain call H

ello! I am Hattie Fisk, and I am honoured to say that I am now the editor of Drama & Theatre magazine. In her opening gambit to you all, Freya Parr (my wonderful predecessor) said that ‘for several years now it has felt as though the world of theatre has been in limbo’, and I vehemently agree. With the theatre industry on the brink of an artistic leadership reshuffle, the arts education sector limping through a clear lack of funding and subject uptake at an all-time low, there are many spinning plates to keep track of. In times like this it can be refreshing to celebrate the innovative and astounding work that teachers continue to do on the ground.

On the topic, last month I was lucky enough to co-host the judging panel for the Music & Drama Education Awards, where I mediated our experts as they debated the 2024 winners. There have been some groundbreaking submissions for the awards this year; I can’t wait to celebrate some of the amazing work that goes on behind the scenes in schools, charities and theatres at the ceremony on 22 February.

In features peppered throughout this issue I investigate the rise of audio plays for young people (p13), discuss Frantic Assembly’s Metamorphosis with Scott Graham (p14), and collate a list of accessible schemes for up-and-coming playwrights (p18). Elsewhere you will find a guide to using AI in the drama classroom (p21), practical suggestions for using drama to aid the tradition from Primary to Secondary school (p25) and meet artistic director Kerry Frampton from Splendid Productions (p31) ahead of her session at the Music & Drama Education Expo 2024.

Having assisted in the editorial team on Drama & Theatre over the past two years or so, I know the important role that it serves our readers and I am thrilled to be steering the ship as it evolves further. My modus operandi is to ensure that this publication can be your first port of call for industry news, helpful drama activities and practical tips for your classroom. Please, if you have any ideas, queries (or you just fancy saying hello), do get in touch.

As we muddle our way through ‘limbo’ together, I look forward to providing you with a sense of community through these pages – however fleetingly during your coffee breaks or on your commute home.

Hattie Fisk, editor

@DramaAndTheatre fb.com/DramaTheatreMag dramaandtheatre.co.uk

Twice each term of the academic year, Drama & Theatre brings you practical strategies, lesson plans, and inspiration to enhance your teaching. Whether you teach in a school context at primary or secondary level, lead extra-curricular drama workshops, or give private tuition, D &T is an invaluable resource written for teachers by teachers, playwrights and practitioners.

Spring Term 1 2023/24 Drama & Theatre 5

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