INDEX ON CENSORSHIp | VOL.52 | NO.4
The Index
2023 FREEDOM OF EXPRESSION AWARDS
Index on Censorship recognised inspirational people in the arts, campaigning and journalism from around the world at its annual event in London in October. Learn more about our winners
AN IRANIAN RAPPER, an Indian fact-checker and an Afghan with a motorbike classroom. One thing that connects these three is the time they’ve spent, or are still spending, behind bars. The other is that they all took home 2023 Freedom of Expression Awards, wrote assistant editor Katie Dancey-Downs at the time of their announcement.
Every year Index and its supporters gather in London to celebrate these annual awards and the relative safety we feel is in stark contrast to the positions our awards nominees find themselves in. This year was no different.
Toomaj Salehi, a well-known hip-hop artist from Iran, took home the 2023 Arts Award. Even if we’d wanted to bring Salehi to London to receive his award, it would have been impossible. At the time of the awards he was in jail, sentenced to five and a half years for “corruption on earth”. In November he was released on bail, only to disappear again. Salehi sings about injustice and abuses by the Iranian authorities — even earlier arrests didn’t stop him from standing up to atrocities through his music. After supporting protests after the death of Jina “Mahsa” Amini, Salehi was once again arrested, this time violently, and it’s believed he was tortured into a false confession.
Our Campaigning Award winner comes from Afghanistan, the brilliant Matiullah Wesa. Through his organisation Pen Path, Wesa has been protecting education in the country, even more so after the Taliban takeover. Since 2009, he has re-opened over 100 schools closed by the Taliban in remote villages, as well as establishing new ones. He’s given pens and books to hundreds of thousands of children, and set up libraries in rural areas. And he’s set out on a motorbike, using it as a mobile classroom, complete with a computer
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World In Focus: Ecuador
Drug cartels have turned a once-peaceful South American nation into one of the most violent in the world
1. Quito Daniel Noboa won Ecuador’s presidential election in October, becoming the country’s youngest ever president at 35 years old. His victory brought an end to an election campaign fraught with corruption and violence, with the most harrowing event being the assassination of presidential candidate Fernado Villavicencio, who was vocal in his criticism of organised violence and was targeted by gangs. Noboa has pledged to tackle the drug trafficking crisis that has plagued the country in recent years, and to slow the rapidly rising rates of violent crime. These bloody events serve as a chilling reminder of the influence held by drug cartels and gangs in the region and how extreme violence is used to suppress dissidents.
2. Guayaquil As the country’s largest port city, Guayaquil has become the epicentre of Ecuador’s drug trade and is no stranger to violence. In one particularly concerning incident in March, journalist Lenin Artieda was wounded when a bomb disguised as a USB stick that had been sent to him exploded. Journalists at several news outlets had been sent similar packages, and a terrorism investigation was launched. The specific targeting of journalists has horrifying implications for free speech in the region, and the Ecuadorian government put out a statement declaring that “any attempt to intimidate journalism and freedom of expression is a loathsome action that should be punished with all the rigour of justice”.
3. Colombian border Colombia’s role in Ecuador’s descent into drug violence was evidenced in October when six Colombian nationals suspected of assassinating presidential candidate Villavicencio were found dead in a Guayaquil prison. Boundaries have blurred between the two states, with cartels in Colombia taking advantage of Ecuador’s close proximity and comparatively weak laws and institutions. The murder of Villavicencio, who was also a prominent journalist, and the suspects involved is a demonstration of Ecuador’s current culture of fear and violence, where any semblance of free speech is rapidly dissipating.
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