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FM | WELCOME Editor-In-Chief Si Truss, simon.truss@futurenet.com Reviews Editor, Music Technology Simon Arblaster, simon.arblaster@futurenet.com Tech Editor, MusicRadar.com Matt Mullen, matt.mullen@futurenet.com Managing Editor Kate Puttick, kate.puttick@futurenet.com Production Editor Stan Bull, stanley.bull@futurenet.com Design Philip Cheesbrough, Meg Culliford, Mark White CONTRIBUTORS Bruce Aisher, Phil Barker, Oli Bell, Chris Corfield, Olly Curtis, Simon Fellows, Andy Jones, Adam Lee, Matt McCracken, Jon Musgrave, Rob Redman, James Russell, Roy Spencer, Robbie Stamp, Danny Turner ADVERTISING For Ad enquiries: Kyle Phillips, kyle.phillips@futurenet.com MARKETING Direct Marketing Executive: Will Hardy PRODUCTION & DISTRIBUTION Production Controller: Fran Twentyman Production Manager: Mark Constance​ Printed in the UK by: Buxton Press on behalf of Future Distributed in the UK by:​ Marketforce (UK), 2nd Floor, 5 Churchill Place, Canary Wharf, London, E14 5HU Tel: +44 (0) 203 787 9001 CIRCULATION Head of Newstrade: Tim Mathers SUBSCRIPTIONS Order line and enquiries: +44 (0)330 333 1113 Online enquiries: www.magazinesdirect.com Email: help@magazinesdirect.com INTERNATIONAL LICENSING AND SYNDICATION Future Music is available for licensing and syndication. Contact the Licensing team. Head of Print Licensing: Rachel Shaw, licensing@futurenet.com MANAGEMENT Brand Director, Music: Stuart Williams Content Director: Scott Rowley Global Head of Design: Rodney Dive Head of Design (Music): Brad Merrett Group Art Editor: Graham Dalzell Future Music, ISSN 0967-0378, is published monthly with an extra issue in December by Future Publishing, Quay House, The Ambury, Bath, BA1 1UA, UK The US annual subscription price is $197.60. Airfreight and mailing in the USA by agent named World Container Inc, c/o BBT, 150-15 183rd St, Jamaica, NY 11413, USA. Application to Mail at Periodicals Postage Prices is Pending at Brooklyn NY 11256. US POSTMASTER: Send address changes to Future Music, World Container Inc, c/o BBT, 150-15 183rd St, Jamaica, NY 11413, USA Subscription records are maintained at Future Publishing, c/o Air Business Subscriptions, Rockwood House, Perrymount Road, Haywards Heath, West Sussex, RH16 3DH, UK The ‘pro’ touch One of the great stuggles when it comes to learning to produce music is trying to work out exactly why it is that your tracks don’t sound as polished and professional as releases from your favourite artists. It can be easy to get downhearted and assume the problem must lie in the expensive studios and vintage gear that top producers use – things many of us can’t afford to access. In reality though, given the quality of modern plugins and home studio gear, it’s perfectly possible to capture a ‘pro sound’ at home, whatever your budget may be. All it takes is a little know-how. To help you crack that ‘pro sound’, this issue we’ve sat down with producers and engineers behind some of the world’s biggest artists, to get mixing and mastering that you can translate to your productions, whatever your budget and wherever your studio is. We hope you find the issue helpful... We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) certification and accreditation All contents © 2024 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. If you submit material to us, you warrant that you own the material and/or have the necessary rights/ permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions. Si Truss, Editor-In-Chief simon.truss@futurenet.com 5

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FM | WELCOME

Editor-In-Chief Si Truss, simon.truss@futurenet.com Reviews Editor, Music Technology Simon Arblaster, simon.arblaster@futurenet.com Tech Editor, MusicRadar.com Matt Mullen, matt.mullen@futurenet.com Managing Editor Kate Puttick, kate.puttick@futurenet.com Production Editor Stan Bull, stanley.bull@futurenet.com Design Philip Cheesbrough, Meg Culliford, Mark White

CONTRIBUTORS Bruce Aisher, Phil Barker, Oli Bell, Chris Corfield, Olly Curtis, Simon Fellows, Andy Jones, Adam Lee, Matt McCracken, Jon Musgrave, Rob Redman, James Russell, Roy Spencer, Robbie Stamp, Danny Turner ADVERTISING For Ad enquiries: Kyle Phillips, kyle.phillips@futurenet.com MARKETING Direct Marketing Executive: Will Hardy PRODUCTION & DISTRIBUTION Production Controller: Fran Twentyman Production Manager: Mark Constance​ Printed in the UK by: Buxton Press on behalf of Future Distributed in the UK by:​ Marketforce (UK), 2nd Floor, 5 Churchill Place, Canary Wharf, London, E14 5HU Tel: +44 (0) 203 787 9001 CIRCULATION Head of Newstrade: Tim Mathers SUBSCRIPTIONS Order line and enquiries: +44 (0)330 333 1113 Online enquiries: www.magazinesdirect.com Email: help@magazinesdirect.com INTERNATIONAL LICENSING AND SYNDICATION Future Music is available for licensing and syndication. Contact the Licensing team. Head of Print Licensing: Rachel Shaw, licensing@futurenet.com MANAGEMENT Brand Director, Music: Stuart Williams Content Director: Scott Rowley Global Head of Design: Rodney Dive Head of Design (Music): Brad Merrett Group Art Editor: Graham Dalzell

Future Music, ISSN 0967-0378, is published monthly with an extra issue in December by Future Publishing, Quay House, The Ambury, Bath, BA1 1UA, UK The US annual subscription price is $197.60. Airfreight and mailing in the USA by agent named World Container Inc, c/o BBT, 150-15 183rd St, Jamaica, NY 11413, USA. Application to Mail at Periodicals Postage Prices is Pending at Brooklyn NY 11256. US POSTMASTER: Send address changes to Future Music, World Container Inc, c/o BBT, 150-15 183rd St, Jamaica, NY 11413, USA Subscription records are maintained at Future Publishing, c/o Air Business Subscriptions, Rockwood House, Perrymount Road, Haywards Heath, West Sussex, RH16 3DH, UK

The ‘pro’ touch One of the great stuggles when it comes to learning to produce music is trying to work out exactly why it is that your tracks don’t sound as polished and professional as releases from your favourite artists. It can be easy to get downhearted and assume the problem must lie in the expensive studios and vintage gear that top producers use – things many of us can’t afford to access.

In reality though, given the quality of modern plugins and home studio gear, it’s perfectly possible to capture a ‘pro sound’ at home, whatever your budget may be. All it takes is a little know-how.

To help you crack that ‘pro sound’, this issue we’ve sat down with producers and engineers behind some of the world’s biggest artists, to get mixing and mastering that you can translate to your productions, whatever your budget and wherever your studio is. We hope you find the issue helpful...

We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) certification and accreditation All contents © 2024 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. If you submit material to us, you warrant that you own the material and/or have the necessary rights/ permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions.

Si Truss, Editor-In-Chief simon.truss@futurenet.com

5

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