welcome / computer music < HOW  TO  USE Whenever you see this icon, you can grab the files on your PC or Mac by going to bit.ly/cm334downloads Tutorials featuring this icon make use of our own Plugins – find out more at bit.ly/cm334downloads FILES This icon means there are extra files to help you follow a tutorial feature: project files, audio examples, etc There’s extra video content wherever you see this icon Subscribe to Computer Music! See p90 Where to get PRINT in stores and online magazinesdirect.com iOS APP STORE for iPad, iPhone & iPod touch computermusic.co.uk/cmdigital ZINIO for PC, Mac, Android, iPad & more zinio.com GOOGLE PLAY for Android & Chrome for PC/Mac play.google.com WWW musicradar.com/computermusic computermusic@futurenet.com facebook.com/computer.music.mag twitter.com/computermusicuk youtube.com/computermusicmag instagram.com/computermusicmag SCAN TO GET OUR WEEKLY NEWSLETTER DOWNLOAD See page 92 to f ind out how to download this is sue’s exclusive content welcome Whether you’re aiming to imbue some Daft Punk-esque robotic vocal character into your projects, or if you just want to push your voice beyond what its natural timbre (and ability) is capable of producing, this issue’s cover feature will arm you with the know-how to twist the human voice into quirky and captivating new forms. From classic 1970s vocoding techniques updated for software-based workflows, routes to grappling with the hard-tuned ‘Prismizer’ effect favoured by Bon Iver, and the latest and most malleable vocal-shaping tools that you can pick up right now, our feature lays out the science, legacy and techniques underpinning vocal processing. Gargle with some honey and lemon, clear your throat and head to p20 to begin. Also this issue, we catch up with Danish DJ, producer and artist Kölsch on p36 and learn about the making of his captivating record I Talk To Water. Incorporating recordings of his late father, Kölsch has crafted a listening experience that explores longstanding grief, constructed via a mixture of software with some quirky hardware choices. Speaking of great listens, we also spend some time with Catching Flies on p60 and dig into his mixing and sampling approach. Catching Flies was kind enough to detail some of his processes in step-by-step format. Of course, it wouldn’t be an issue of Computer Music without an awesome free gift. This month, it comes in the shape of the full version on Inphonik’s RYM2612 – a software emulation of Yamaha’s iconic YM2612, found in the heart of many a retro games console. Grab your code from our download section, get it installed and head to p16 to learn more about this unique synth. Mega! Andy Price Editor andy.price@futurenet.com