FROM THE EDITOR
Grayson Perry gives his seal of approval to Claire Mort’s Gloria, Gloria at the 2021 RA show
■ THE RA Summer Exhibition is an institution in its own right. The world’s largest open submission exhibition, it has been held ever y year without interr uption since 1769 – even during Covid lockdowns, when it had to be delayed but not cancelled. The publishing calendar is such that I sit writing this at the end of March, when social media has been peppered with news of rejection letter s from the RA, along with some happier posts. The will among ar tists to win an acceptance letter from the prestigious show is ver y keen and they take rejection hard. It must be a perplexing exhibition to put together, though. Works in a variety of media are eligible and with the RA’s open submission policy, emerging ar tists battle it out for a space on the wall with Royal Academicians. The exhibition is said to be hung with ‘motley abandon’, cramming in ar tworks that clash with those surrounding them, leaving the galler y-goer feeling a little feverish. The show takes on a different personality ever y year with each new coordinator. When Grayson Perr y took the helm in 2018 during the RA’s 250th anniver sar y, there was a par ticular ly good showing of textile works. And, in 2021,Yinka Shonibare RA curated a show that was considered ‘inclusive’, as well as ‘vibrant, magical and moving’. Grayson Perr y was snapped, as his alter ego Claire at the 2021 show, giving his seal of approval to Claire Mor t’s stitched ar twork, Gloria, Gloria (pictured above). Sculptor Ann Christopher RA takes over as coordinator in 2024 and has the taxing task of sifting submissions by both household names and emerging ar tists. It’s too ear ly to tell who and what from the textile ar t world will be included but for one ar tist there was a glimmer of hope. Alison Aye (featured on page 38) has made it through the fir st round of judging, although this doesn’t mean her work will be automatically included in the show. Alison has 30 year s’-wor th of rejection notices. Could this be her year? The RA Summer Exhibition 2024, 18 June–18 August, RA, Burlington House, Piccadilly, London. royalacademy.org.uk Turning to this month’s issue, on page 12 we feature the beautiful book produced by Michelle Holmes focusing on her stitched character Betty. Michelle has been posting ‘Bettys’ on Facebook near ly ever y Friday for over 10 year s and finds the feedback enables her to keep in touch with her audience. If you’d like to own a copy of Michelle’s book, produced on lovely recycled cream paper, mention Embroider y magazine when ordering to receive a complimentar y Betty card. Claire Waring EDITOR Embroidery magazine
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embroidery
Embroidery is published six times a year in January, March, May, July, September and November by Embroiderers’ Guild Enterprises Ltd, a wholly owned subsidiary of The Embroiderers’ Guild. The magazine was first published in 1932 and is read today by textile professionals and enthusiasts around the world. The Embroiderers’ Guild is a registered charity (No. 234239), which organises an annual programme of events and awards. The Guild’s Museum Collection of embroidered items is held at Bucks County Museum.
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May June 2024
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Embroidery magazine ISSN 1477-3724 is published by Embroiderers’ Guild Enterprises Ltd, a wholly owned subsidiary of The Embroiderers’ Guild. Registered office: Bucks County Museum, Church St, Aylesbury HP20 2QP. Printer & distributor: Warners Midlands, Manor Lane, Bourne, Lincs PE10 9PH. All rights reserved. Reproduction in whole or in part without written permission is strictly prohibited. Embroidery does not accept responsibility for unsolicited manuscripts or images. The Editor reserves the right to edit all contributions. The views expressed in Embroidery are not necessarily those of the Editor or The Embroiderers’ Guild.