October 2024 Volume CC No– 734

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17 Editor’s Letter 18 Agenda

October’s museum exhibitions, plus Frieze Masters and what else to see in London 27 Around the Galleries

Isabella Smith previews the latest edition of Art Basel Paris 31 In Perspective

Hettie Judah meets the many faces of Mary Magdalene 35 Letter

Arjun Sajip encounters a cast of curious characters at the home of sculptor Lynn Chadwick 40 Diary

The changes at the Warburg Institute centre memory as much as modernity, writes Alison Cole

Cover Portrait of Berthe Weill, 1920, Pablo Picasso (1881–1973), Conté crayon and charcoal on paper, 62 × 47cm. © Succession Picasso/DACS, London 2024 See feature on pp. 80–87

APOLLO OCTOBER 2024

42 Letter

Joanna Kavenna takes a pilgrimage to a cathedral in Trondheim to see a remarkable series of collages 44 Inquiry

As the Pompidou Centre closes for a five-year refurbishment, Catherine Bennett asks whether the rot set in some time ago 50 Wine

Christina Makris raises a glass to Campari’s photography archive 52 Food

Plates designed by artists are no fun if you can’t eat off them, writes Molly Pepper Steemson 89 Art Market

Jane Morris wonders whether a lack of young collectors will come back to bite galleries and auction houses 95 Collectors’ Focus

In the UK, the homegrown titans of post-war abstraction reign supreme, writes Emma Crichton-Miller

Features 54 Fit for Kings

The Mughal emperors marshalled a remarkably diverse array of influences to forge a unique artistic tradition, writes Nandini Das 64 More to See

Liliane Lijn tells Fatema Ahmed how her diverse body of work combines an obsession with myth and restless experimentation with physical materials 74 One More Time

Carolyn Christov-Bakargiev explains how a sculptural work by Michelangelo Pistoletto makes a virtue of its mutability 80 Spirit of the Age

Tom Stammers looks at how the art dealer Berthe Weill helped establish Paris as the beating heart of modernism

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