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News ‘Urgent action’ needed as arts A Level entries drop by a third since­2010 Arts subjects now account for the smallest proportion of A Level entries since 2010, new research from Campaign for the Arts reveals. Jack Gamble, the charity’s director has called for ‘urgent action’, warning that the decrease in A Level uptake represents ‘wasted potential’. He added that this particularly impacts students from lower income backgrounds. Campaign for the Arts found that performing arts suffered the largest decrease in 2023, with Drama A Level entries falling by 8% in a single year. The stats This decrease is in line with a steady decline in A Level Drama uptake: entries in England have dropped by 45% between 2010 and 2023, from 15,144 students to 8,340. One year is an anomaly to this trend: the number of UK Drama A Level students increased by 3% from 9645 in 2021 to 9,953 in 2022. This temporary uptick has anecdotally been put down to the impact of returning to in-person education post-Covid. A wider impact A new report written by the British Academy and the National Foundation for Education Research found ‘considerable decline’ in takeup of arts and humanities subjects over the past two decades compared to socials sciences and STEM. The independent study attributes these changes to the Conservative government’s severing of A Level courses from AS Level exams almost 10 years ago. This change meant that only a single set of A Level exams is taken after two years of study, when previously there were AS Level exams midway through. The report also notes that the number of schools and colleges offering A Level courses in arts subjects such as drama and music has also seen a ‘dramatic’ fall. The summary concludes with a call to ‘bring arts back into the curriculum’. ‘Breadth and balance should be at the heart of any future post-16 curriculum and should not be negatively impacted by future reform’, British Academy’s director of policy told The Guardian. STOCK/ NUTHAWAT ADOBE Sector response The Guardian also broke the news that Paul Whiteman, the general secretary at the NAHT school leaders’ union, claimed that the decline in arts entries across the board was linked to government performance measures. ‘The government has used high-stakes performance measures as a blunt tool to drive curriculum and qualification choices in schools,’ Whiteman said. ‘While entries inevitably vary each year, this may explain the concerning decline in take-up of arts GCSEs, which has a knock-on effect when it comes to choices for sixth form and college students.’ Little Angel internship to target lack of diversity in puppetry Little Angel Theatre is launching an internship scheme to offer a grant aimed at supporting ethnically diverse aspiring puppet makers. The internship is available due to receiving one of the four instalments of the Mo Siewcherran Fund grant, alongside Edinburghbased theatre and dance organisation Imaginate, the Women’s Prize Trust and academic publisher the Association of Laboratory Medicine. The grant will contribute to six month’s salary for a traineeship and full programme support for those from black, Asian and other ethnically diverse backgrounds. On the news, artistic director of Little Angel, Samantha Lane, said receiving the grant would ‘help to enrich the cultural workforce.’ She added: ‘There is a shortage of diverse puppetry makers in the UK. This is, in part, due to limited access to education and training opportunities, and the systemic barriers to engaging with exciting opportunities. ‘Funding to support our intern enables us to provide yet another diverse puppet maker with a year-long, on-the-job, hands-on experience.’ THEATRE ANGEL IT TLE L LAT ’s production of Dogs Don’t Do Ballet 6 Drama & Theatre Autumn Term 2 2024/25 www.dramaandtheatre.co.uk
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News Majority of working-class parents against children pursuing arts­careers, finds new report ARBER / TOM THEATRE YOUTH IONAL NAT New research from the National Theatre and Netflix shows that 89% of working class parents, guardians and carers say they wouldn’t want their child to pursue a creative career path. The study has found that three in four young people in the creative industries aged 16 to 25 say their parents, guardians and carers view their career as a waste of their education; they favour ‘traditional’ careers in law, finance, medicine and technology for their children because they perceive them to offer good career progression (60%), good pay (58%) and a stable career path (56%). For young people (16-25) already working in the creative industry, one in four of them said their parents, guardians or carers are unsupportive of their creative endeavours. Close to three quarters say their parents view their career as a waste of their education. For this report, Opinium Research polled 2,000 parents, guardians and carers in the United Kingdom using an online methodology. Results were weighted by age, gender, and region to nationally representative criteria. Fieldwork was conducted between 24th and 29th May 2024. National Youth Theatre asked 500 young people from their creative community around the UK aged 18 to 30 about their views on how creative careers are perceived. Other findings include: 78% of young people felt explaining their creative profession to their parents was challenging. 81% feel that the term “creative” means different things to different people. 41% of parents said the language around creative careers, such as film and TV, felt vague. Guildhall School gains 60k funding assistance for under-represented students Guildhall School of Music and Drama has announced that it will be providing students who are struggling with living costs and tuition fees with scholarships totalling £60,000 over two years. Donated by the City of London Corporation’s education board, the £30,000 per-year will provide undergraduate and postgraduate students from under-represented and diverse backgrounds with money to make up for a shortfall in their living costs. Students in the Guildhall Young Artists network of performing and production arts centres will also receive the grant to meet the cost of tuition. ‘We are passionate about social mobility and dedicated to a vibrant and thriving city, supporting a diverse and sustainable London within a globally successful UK,’ said City of London Corporation chair education board Naresh Sonpar. ‘Achieving greater social mobility is a central part of this, and something we wish to see championed at every level of our organisation.’ Sonpar continued: ‘Given the pressing concern surrounding Guildhall School of Music and Drama the attainment gap between disadvantaged students and their peers, scholarships are vital in bridging that divide. Firstclass education is something that should be available to everyone no matter their background or ability.’ Sean Gregory, vice-principal and director of innovation and engagement at Guildhall School, said: ‘We are grateful for these scholarships, which will allow us to provide support where the need is greatest, particularly to students from diverse and under-represented backgrounds. ‘The grant will also enable us to strengthen progression opportunities to Guildhall School, especially for pupils from the City of London Academies Trust, aligning the school and the City Corporation’s dedication to social mobility, as well as helping more broadly to widen access to Guildhall School programmes.’ I COMMONS IK 1/ W IASRAGG200 TOB www.dramaandtheatre.co.uk Autumn Term 2 2024/25 Drama & Theatre 7

News

‘Urgent action’ needed as arts A Level entries drop by a third since­2010 Arts subjects now account for the smallest proportion of A Level entries since 2010, new research from Campaign for the Arts reveals.

Jack Gamble, the charity’s director has called for ‘urgent action’, warning that the decrease in A Level uptake represents ‘wasted potential’. He added that this particularly impacts students from lower income backgrounds.

Campaign for the Arts found that performing arts suffered the largest decrease in 2023, with Drama A Level entries falling by 8% in a single year.

The stats This decrease is in line with a steady decline in A Level Drama uptake: entries in England have dropped by 45% between 2010 and 2023, from 15,144 students to 8,340.

One year is an anomaly to this trend: the number of UK Drama A Level students increased by 3% from 9645 in 2021 to 9,953 in 2022. This temporary uptick has anecdotally been put down to the impact of returning to in-person education post-Covid.

A wider impact A new report written by the British Academy and the National Foundation for Education Research found ‘considerable decline’ in takeup of arts and humanities subjects over the past two decades compared to socials sciences and STEM.

The independent study attributes these changes to the Conservative government’s severing of A Level courses from AS Level exams almost 10 years ago. This change meant that only a single set of A Level exams is taken after two years of study, when previously there were AS Level exams midway through.

The report also notes that the number of schools and colleges offering A Level courses in arts subjects such as drama and music has also seen a ‘dramatic’ fall. The summary concludes with a call to ‘bring arts back into the curriculum’.

‘Breadth and balance should be at the heart of any future post-16 curriculum and should not be negatively impacted by future reform’, British Academy’s director of policy told The Guardian.

STOCK/ NUTHAWAT

ADOBE

Sector response The Guardian also broke the news that Paul Whiteman, the general secretary at the NAHT school leaders’ union, claimed that the decline in arts entries across the board was linked to government performance measures.

‘The government has used high-stakes performance measures as a blunt tool to drive curriculum and qualification choices in schools,’ Whiteman said. ‘While entries inevitably vary each year, this may explain the concerning decline in take-up of arts GCSEs, which has a knock-on effect when it comes to choices for sixth form and college students.’

Little Angel internship to target lack of diversity in puppetry

Little Angel Theatre is launching an internship scheme to offer a grant aimed at supporting ethnically diverse aspiring puppet makers.

The internship is available due to receiving one of the four instalments of the Mo Siewcherran Fund grant, alongside Edinburghbased theatre and dance organisation Imaginate, the Women’s Prize Trust and academic publisher the Association of Laboratory Medicine.

The grant will contribute to six month’s salary for a traineeship and full programme support for those from black, Asian and other ethnically diverse backgrounds.

On the news, artistic director of Little Angel, Samantha Lane, said receiving the grant would ‘help to enrich the cultural workforce.’

She added: ‘There is a shortage of diverse puppetry makers in the UK. This is, in part, due to limited access to education and training opportunities, and the systemic barriers to engaging with exciting opportunities.

‘Funding to support our intern enables us to provide yet another diverse puppet maker with a year-long, on-the-job, hands-on experience.’

THEATRE

ANGEL

IT TLE

L

LAT ’s production of Dogs Don’t Do Ballet

6 Drama & Theatre Autumn Term 2 2024/25

www.dramaandtheatre.co.uk

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