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CONTENTS TRIBAL ART magazine WINTER 2024 XXIX-1 / number 114 2 12 40 50 58 EDITORIAL ART in motion MUSEUM news ART on view Narrative Wisdom in African Arts By Nichole Bridges The Ethnography Collection at the Royal Albert Museum, Exeter By Tony Eccles 70 FEATURE The Arts of Africa and Oceania at the Nineteenth-Century Universal Expositions in Paris By Bertrand Goy 90 PROVENANCE Keith Haring, Techno-Primitive Iconography By Elena Martínez-Jacquet and Romain Brun 96 TRIBAL people Jean Vivier: A Passion for African Art Interview by Elena Martínez-Jacquet and Alex R. Arthur 104 118 122 PORTFOLIO Tamoto Kenzō: Photographs of the Ainu of Hokkaidō (1870–1889) By Annabelle Lacour BOOKS 2024 Pierre Moos Prize: An English Girl in New Guinea Interview by Elena Martínez-Jacquet IN TRIBUTE 0
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A c q u i r e d b y t h e D e t r o i t I n s ti t u t e o f A r t s Y o m b e , e x C l a u d e a n d P i e r r e V é r i t é , 4 3 c m ENTWISTLE

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CONTENTS

TRIBAL ART magazine

WINTER 2024 XXIX-1 / number 114

2 12 40

50

58

EDITORIAL ART in motion MUSEUM news ART on view Narrative Wisdom in African Arts

By Nichole Bridges

The Ethnography Collection at the Royal Albert Museum, Exeter

By Tony Eccles

70

FEATURE The Arts of Africa and Oceania at the Nineteenth-Century Universal Expositions in Paris

By Bertrand Goy

90

PROVENANCE Keith Haring, Techno-Primitive Iconography

By Elena Martínez-Jacquet and Romain Brun

96

TRIBAL people Jean Vivier: A Passion for African Art

Interview by Elena Martínez-Jacquet and Alex R. Arthur

104

118

122

PORTFOLIO Tamoto Kenzō: Photographs of the Ainu of Hokkaidō (1870–1889)

By Annabelle Lacour

BOOKS 2024 Pierre Moos Prize: An English Girl in New Guinea

Interview by Elena Martínez-Jacquet

IN TRIBUTE

0

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