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VOL. 104 NO. 2 CONTENTS A D O B E S T O C K / B E R N A R D B O D O T O M M C K E N Z I E ICA AFR , SOUTH IDS MUZUK IN ING TEACH ING : STR IMAGE COVER IDS : MUZUK IT CRED REGULARS 5 Editorial 6 News 9 Diary 14 Expo 2025 programme Sessions, events and timings for the two-day event 19 Expo 2025 preview Meet the exhibitor: Anne Margaret Smith, founder of ELT well 44 Online teaching materials A preview of February’s resources 47 Column: ISM New resources for the National Curriculum 48 Column: health and wellbeing How the charity Creative United can ease the pressure when buying an instrument FEATURES 21 Early Career Teacher experience Developing teacher Adam Clarvis started his career as the school’s only musician. What would he have done differently? 26 Representation in class music Positive role models are essential for young people to aspire and progress. www.musicteachermagazine.co.uk 51 Column: tech Dom Sigalas gets under the bonnet of Steinberg’s Verve felt piano and what it can mean for compositions 54 Reviews MT reviewers assess Yamaha’s Stagepas PA system, a Musicbuds course on DEI, and sheet music Open String Tunes 57 New products: tech Kate Rounding’s top picks for the month 63 Quick tips Richard Barnard on ways of introducing stave notation 64 Q&A Ryan Wang, BBC Young Musician 2024, pays tribute to his teachers EARLY YEARS 11 Music in the curriculum Early years practitioner Penny Osmond explains why ‘music time’ should form part of free learning 23 Popular music in early years Eleanor Rashid shows how using popular music can nurture creativity, exploration and self-expression 32 Music and identity Musicality in early childhood is about ‘creating moments of connection, joy and learning,’ says Shaddai Tembo 35 Communicative musical play Jessica Pitt summarises the research behind musical play, and suggests starting points for working in EFYS Tolu McCarthy suggests ways for music educators to embrace diversity of styles, cultures and traditions 29 South African string teaching On an examiner tour to South Africa, Iona Zuiderwijk came across Muzukids, a Suzukibased township project that impressed her, as did the high quality of playing she found in a government school 38 Developing the music ed workforce There is a growing consensus in favour of high-quality music in secondary schools. But who will deliver this? Simon Toyne does some ‘outside the box’ thinking MUSIC TEACHER February 2025 3

VOL. 104 NO. 2 CONTENTS

A D O B E S T O C K /

B E R N A R D B O D O

T O M

M C K E N Z I

E

ICA

AFR

, SOUTH

IDS

MUZUK

IN

ING

TEACH

ING

: STR

IMAGE

COVER

IDS

: MUZUK

IT

CRED

REGULARS 5 Editorial 6 News 9 Diary 14 Expo 2025 programme

Sessions, events and timings for the two-day event 19 Expo 2025 preview

Meet the exhibitor: Anne Margaret Smith, founder of ELT well 44 Online teaching materials

A preview of February’s resources 47 Column: ISM

New resources for the National Curriculum 48 Column: health and wellbeing

How the charity Creative United can ease the pressure when buying an instrument

FEATURES 21 Early Career Teacher experience

Developing teacher Adam Clarvis started his career as the school’s only musician. What would he have done differently? 26 Representation in class music

Positive role models are essential for young people to aspire and progress.

www.musicteachermagazine.co.uk

51 Column: tech

Dom Sigalas gets under the bonnet of Steinberg’s Verve felt piano and what it can mean for compositions 54 Reviews

MT reviewers assess Yamaha’s Stagepas PA system, a Musicbuds course on DEI, and sheet music Open String Tunes 57 New products: tech

Kate Rounding’s top picks for the month 63 Quick tips

Richard Barnard on ways of introducing stave notation 64 Q&A

Ryan Wang, BBC Young Musician 2024, pays tribute to his teachers

EARLY YEARS 11 Music in the curriculum

Early years practitioner Penny Osmond explains why ‘music time’ should form part of free learning 23 Popular music in early years

Eleanor Rashid shows how using popular music can nurture creativity, exploration and self-expression 32 Music and identity

Musicality in early childhood is about ‘creating moments of connection, joy and learning,’ says Shaddai Tembo 35 Communicative musical play

Jessica Pitt summarises the research behind musical play, and suggests starting points for working in EFYS

Tolu McCarthy suggests ways for music educators to embrace diversity of styles, cultures and traditions 29 South African string teaching

On an examiner tour to South Africa, Iona Zuiderwijk came across Muzukids, a Suzukibased township project that impressed her,

as did the high quality of playing she found in a government school 38 Developing the music ed workforce

There is a growing consensus in favour of high-quality music in secondary schools. But who will deliver this? Simon Toyne does some ‘outside the box’ thinking

MUSIC TEACHER February 2025 3

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