CONTENTS
STEVEN SODERBERGH
Shot from the point of view Shot from the point of view of a ghost, the director ’s of a ghost, the director’s haunted house thriller haunted house thriller PresencePresence offers a satisfying offers a satisfying twist on the genre. He talks twist on the genre. He talks to Philip Concannon about to Philip Concannon about the real-life supernatural the real-life supernatural event that inspired the f i lm event that inspired the f ilm
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26 DAVID LYNCH In our tribute to the great filmmaker, Michael Atkinson explains how the director didn’t just expand the idea of cinema, but created a new version of reality. PLUS a previously unpublished interview with Lynch from 1984; and collaborators and filmmakers explain what he meant to them
48 MIKE LEIGH The director, back on scintillating form with Hard Truths, tells Jonathan Romney why his work is about understanding, not judging. PLUS the film’s star, Marianne Jean-Baptiste, discusses her creative process
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CHANTAL AKERMAN
In an extract from the latest edition of Sight and Sound ’s Auteurs Series, a 100-page print special out now, director Céline Sciamma writes exclusively about the influence the director has had on her work
54 WALTER SALLES The director’s first fiction film for more than a decade, I’m Still Here follows a woman seeking answers about the disappearance of her husband. He tells Geoff Andrew about the ever-present spectre of Brazil’s past
