The Wire Tapper 67 Your track by track guide to this issue’s free CD
1 Berke Can Özcan & Jonah Parzen-Johnson “The Others” From It Was Always Time (We Jazz) After their first meeting 30 minutes before a soundcheck at a joint concert in April 2022, Istanbul drummer and sound designer Berke Can Özcan and Brooklyn baritone saxophonist Jonah Parzen-Johnson turned that initial encounter into a cross-continental dialogue. Almost completely improvised, the duo’s first album It Was Always Time weaves ParzenJohnson’s melodies together with synth textures and found sounds into a richly layered and joyful collaboration. jonahpj.com, wejazzrecords.bandcamp.com
3 Julián Mayorga “Arda la ciudad cuando arrecie el monte” From Chak Chak Chak Chak (Glitterbeat) Currently based in Madrid, the Colombian singer-songwriter and producer Julián Mayorga draws the off-kilter perspectives of Tom Zé, Tom Waits and Captain Beefheart into his own version of post-cumbia psychedelia, where absurdist and anti-capitalist fables accompany spiky electric guitars, circuit-bent beats and clattering kitchen sink and junkyard percussion. “Arda la ciudad cuando arrecie el monte” is taken from his ninth album – his first for Glitterbeat. instagram.com/julianmayorgao, glitterbeat.com
5 Shane Aspegren “Deep Delta” From Emblems Of Transmuting Heat (ONDO) Shane Aspegren is a multidisciplinary artist, musician and somatic sound facilitator based in Los Angeles. In addition to his own projects including The Berg Sans Nipple and Ça Va Chéri, he has worked with artists such as Bright Eyes, Woodkid, dj sniff and Arto Lindsay, as well as creating numerous scores and soundtracks for film, TV, theatre, dance and contemporary art works. shaneaspegren.com, shaneaspegren.bandcamp.com
7 d’incise “Incendies (A1.1)” From Incendies (INSUB./La République des Granges) While his Tresque alias represents his dancefloor-oriented output, d’incise is musician and producer Laurent Peter’s more experimental face. Recently he has refocused upon recording analogue electronic sources and processing them into reductive, minimal works. Based between Brussels and Geneva, Peter co-founded the INSUB. label and large ensemble, and is a member of drone-folk group La Tène. dincise.net, insub.bandcamp.com, larepubliquedesgranges. bandcamp.com
2 Simon Grab & David Meier “Felsic” From Porœs (-OUS) On the heels of his dynamic pairing with Togolese MC Yao Bobby, composer and sound artist Simon Grab presents a new improvising collaboration with David Meier, drummer in Lucerne avant rock trio Schnellertollermeier and leader of the septet Hunter-Gatherer. Finding common ground in corrosive sound palettes and a shared embrace of the unexpected, their debut album Porœs shifts between crumbling sonic geology and more fluidly playful explorations. kud.li/ous053, ousooo.bandcamp.com
4 Red Largo “Hotel Neuf” From Hotel Neuf (Madame Vega’s Boudoir) Combining lap steel guitar, bass clarinet, electronics, flutes, harmonium and drums, Red Largo were brought together by writerdirector Sonja Kessner to create music for a theatre production staged in Berlin in 2023. Joined by Fredrik Kinbom, Andreas Dormann and Chris Farr, her quartet’s 2024 debut album Transmitting was nominated in three categories for the German Record Critics’ Award. linktr.ee/redlargo
6 Sinemis “It’s Not Fate, It’s You” From Farewell (Injazero) London based Turkish producer Sine Buyuka’s solo project Sinemis combines the ancestral Sufi music of her homeland with techno-inflected ambient. Her track “Medi” was included on the 2021 7K! compilation Wind Layers; she followed it with the 2022 mini-album Dua on her own Injazero label. Also a radio host with Resonance Extra, Buyuka releases her debut full-length Farewell in May. sinebuyuka.com, injazerorecords.com
8 David Schafer “Binary Complex (excerpt)” From Five Works (Self-released) Los Angeles based visual and sound artist David Schafer composed “Binary Complex” to accompany a sculpture. The piece was generated from a permutation based on the artwork’s two sets of 12 units made up equally of two colours. Each of the four hues was assigned a note based on Alexander Scriabin’s concept of colour music, with 924 arrangements for each set. davidschafer.org/binary-complex, davidschafer.bandcamp.com
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