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POETRY N MARYAM ALSAEID On noticing the golden flecks in the photo It must have dusted or discoloured. There are little prints of gold, like a chipped masterpiece. My father is dashing. My mother, just about to migrate-obedient, crepe white scarf, folded with politeness. She is the only one truly staring into the lens. My sister is looking up, dressed in a delicate tulip pink dress, white rimmed. Precious as the gold chipping. As for the little one with curls, he will one day free the little bulbul birds caged for years and here he sits, sliding like a melon on my mothers lap. My Jidu is a gladiator- tanned, sandals bearing the weight of a glorious man. Note, he is not looking at just one of them, but all. I named him Angel On The Right, for some time. Writing good deeds for us. The sun is being swept across the sky at the time. They will yearn for that for the rest of their lives. Soon they will settle into a land of green and grey. Soon they will be terrible at loving. The hose pipe lies languorous on the patio floor, like it has been dropped for this one moment. Jidu is mesmerised. His four golden gifts. The desolate haunts of his own nature and ours. POETRY 8 WALES
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'The Player in the Jazz Band rather than the Conductor of the Orchestra' EILEEN GBAGBO interviews JACOB SAM-LA ROSE on approaching facilitation as a creative practice Jacob Sam-La Rose is a poet, editor and educator and the founder of the Barbican Young Poets. His work has appeared in many anthologies and journals, including Identity Parade: New British & Irish Poets (Bloodaxe), Poems For Love (Penguin), and Michael Rosen's A-Z: The Best Children's Poetry from Agard to Zephaniah (Puffin). His first pamphlet Communion was a Poetry Book Society Pamphlet Choice in 2006. Breaking Silence (Bloodaxe Books, 2011), his first book-length collection, was shortlisted for the Forward Prize for Best First Collection and is required reading for an English Language/Literature A-level syllabus. INTERVIEW JACOB SAM-LA . ROSE I've been an admirer of Jacob's work long before I had the pleasure of meeting him. Among emerging poets of colour, he's a rockstar. He has rightfully earned the reputation of being one of the best poet educators in London, with his programme, Barbican Young Poets, being one of the best springboards for a career and lifelong devotion to poetry. So I was excited to sit down with him and learn more about his career to date and dive deeper into his 'pedagogical poetics' theory in this interview. RIOTS Eileen Gbagbo: How did your teaching practice and the craft of teaching evolve over the years? Jacob Sam-La Rose: A lot of what I do is very much for the joy and the love of it. So very much organic and intuitive in nature. That doesn't mean I haven't spent the time polishing up my thinking in terms of what it is that I do. I made the effort to determine what worked and what didn't work, and how I wanted to challenge the expectations associated with other things that I saw being done. For example, learning and knowing what it meant to be a visiting creative practitioner collaborating with but perhaps distinct from the role of the teacher in the classroom. Eileen: Could you share a few of the beliefs that you hold to be true, that have guided you in your poetic and teaching journey? POETRY 9 WALES

POETRY N

MARYAM ALSAEID

On noticing the golden flecks in the photo

It must have dusted or discoloured. There are little prints of gold, like a chipped masterpiece. My father is dashing.

My mother, just about to migrate-obedient, crepe white scarf, folded with politeness. She is the only one truly staring into the lens.

My sister is looking up, dressed in a delicate tulip pink dress, white rimmed. Precious as the gold chipping.

As for the little one with curls, he will one day free the little bulbul birds caged for years and here he sits, sliding like a melon on my mothers lap.

My Jidu is a gladiator- tanned, sandals bearing the weight of a glorious man. Note, he is not looking at just one of them, but all.

I named him Angel On The Right, for some time. Writing good deeds for us.

The sun is being swept across the sky at the time. They will yearn for that for the rest of their lives.

Soon they will settle into a land of green and grey. Soon they will be terrible at loving.

The hose pipe lies languorous on the patio floor, like it has been dropped for this one moment.

Jidu is mesmerised. His four golden gifts. The desolate haunts of his own nature and ours.

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