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BOOK REV I EWS André Naffis-Sahely reviews The Traveler and the Innkeeper by Fadhil al-Azzawi Translated by William Hutchins AUC Press, 117 pp., £8.99, May 2011, ISBN 978-9774164620 The Mind of the Torturer There are few contemporary novelists I know of who are as engagé and lyrically succinct as Fadhil al-Azzawi. His favourite form seems to be the ironic allegory, where he draws on his varied – at times brutal – life experiences to condense his larger-than-life themes into exquisitely-crafted miniatures of recent Iraqi history. Readers will remember his elegy to 1950s cosmopolitan Kirkuk in The Last of the Angels and his examination of one man’s senseless anguish in Cell Block Five.Yet before I begin to discuss the novel under review, I thought it appropriate to take the publishers to task for a small, if not wholly insignificant, short-sight: namely that of printing al-Azzawi’s note – composed thirty-four years after the novel was originally written, and where he goes on to elaborate on the novel’s personal, social and political background – as a preface instead of as an afterword. Note how the “preface” concludes: Until we achieve a better grasp of the age in which we live and liberate ourselves from every type of ideological, religious, and nationalist extremism, and first and foremost from dictatorship (whatever it may call itself), we will continue forever and a day trapped inside a closed circle where the interrogator destroys his victim and the victim his interrogator, with no hope of escape. Coupled with the fact that al-Az- 200 BANIPAL 43 – CELEBRATING DENYS JOHNSON-DAVIES
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BOOK REV I EWS zawi used an actual childhood-friendturned-police-inspector as the inspiration for Qasim Husayn, the central character of The Traveler and The Innkeeper, I for one certainly imagined the victim would be as much of a presence as the torturer, and instead, Jalil Mahmud – alias for al-Azzawi – is but a proxy for Qasim’s self-exploration, he is there to be cuckolded (Qasim later has an affair with Jalil’s wife) and to form part of the wider tableau, but never one of its more interesting motifs. Fadhil al-Azzawi But back to the novel itself, or rather its plot. This third and latest novel of al-Azzawi’s to appear in English is – like the previous two, translated byWilliam M Hutchins – set in Baghdad and opens in 1967, not long before the June war. Qasim, “Inspector of the First Board”, finds Jalil Mahmud, an old friend, being tortured by his colleagues. It’s not long before we realize that Qasim is only a small cog in the machinery of horror. When Jalil asks him, “It’s your dungeon. Didn’t you know I was here in the hands of your cops?” Qasim can only offer a few questions of his own in return.Yet readers expecting the slightest shred of sympathy for the victim are rapidly disappointed; after all, Qasim and his hated colleagues were “trained to devour those closest to them. There is little sympathy to spare in al-Azzawi’s portrait of this particular moment in history – and it is all concentrated on Qasim, the torturer. Eventually, tired of drifting from one bar or café to another, Qasim finds relief in the arms of Huda, Jalil’s wife. But Qasim lives in such a stifled world – confined by the duties he compels himself to carry out – that we hardly feel he is invested in the affair: he cannot even sense the encroaching disaster of the SixDay War. He is a blind man reproaching others for their own blindness.The novel ends with a quasi-reversal of roles as Qasim becomes suspect in the eyes of the very Law he has so loyally served when he attempts to cover up his affair with Huda. With an ability to transmit a sense of compassion through the most sordid of characters, al-Azzawi proves masterful at recreating the in- BANIPAL 43 – SPRING 2012 201

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BOOK REV I EWS

André Naffis-Sahely reviews The Traveler and the Innkeeper by Fadhil al-Azzawi Translated by William Hutchins AUC Press, 117 pp., £8.99, May 2011, ISBN 978-9774164620

The Mind of the Torturer

There are few contemporary novelists I know of who are as engagé and lyrically succinct as Fadhil al-Azzawi. His favourite form seems to be the ironic allegory, where he draws on his varied – at times brutal – life experiences to condense his larger-than-life themes into exquisitely-crafted miniatures of recent Iraqi history. Readers will remember his elegy to 1950s cosmopolitan Kirkuk in The Last of the Angels and his examination of one man’s senseless anguish in Cell Block Five.Yet before I begin to discuss the novel under review, I thought it appropriate to take the publishers to task for a small, if not wholly insignificant, short-sight: namely that of printing al-Azzawi’s note – composed thirty-four years after the novel was originally written, and where he goes on to elaborate on the novel’s personal, social and political background – as a preface instead of as an afterword. Note how the “preface” concludes:

Until we achieve a better grasp of the age in which we live and liberate ourselves from every type of ideological, religious, and nationalist extremism, and first and foremost from dictatorship (whatever it may call itself), we will continue forever and a day trapped inside a closed circle where the interrogator destroys his victim and the victim his interrogator, with no hope of escape. Coupled with the fact that al-Az-

200 BANIPAL 43 – CELEBRATING DENYS JOHNSON-DAVIES

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