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~ ~ m w ~ m ~ s D & g m u p - I , wwvt name- we did a DUE with

&is&h&meiagfKdatet~~~,and&

in the Soverdgn impginary-W h,but irstegd laew of the sQuffd

Individual, and m ia &p nation L h b d K,ishwka . sumcwhere ,in physical night, dre singer's got

~glxofsMrt9sne, &e third night. wtm playing lirke in h e soundc k k , md the were p t * more =F,

aoarr: has? m,y h , and

&i f he fDURhw,tfi&&m'spbislraclr the audhse, sad tbc hg&qds pkykg a a d y taat m*. By h e eighth date, thy . mW m.it W@ W~K.%&@3

* . s e e h a s g W E l f D a v . I f i n d i t texture, h &sly amtine; a d ~tweiag Pad ew,Lviqg hppmkit appeal of this wpmdn t e f J muerrim

The rush, *,I Wce eQ @a r b € . ihmhiag yoa fan'€ write k ~ "

He tolerates no d - kc dilukions ie kla g r au~( t h e k&,hcallothera,ffjkerhtbdl mattager- wirfwuc &m,thdd b m m&c . . . but w i b m him, they waukfn's km The Fall), but his scrawny stage-voice isn't just a w&mtad +, broadcast of his own opinions: in song, L's Th wiu tbrtt the split iara a rlac d d c & s , a read- d pmms, r ane-mm f)odp Pdidc CThe Mm Whose Nead Expanded: KNEW... T h Smith applied mvp technique literdly re b&' asys a s 1 ~ ~ to Fmw@id By L p W a d ) ) .

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&C "the Rs: Bqeririan, Xepeditioa, 8epxirim.t3and we ttiaghed.

He opens DP- with a yell 0 s them a~]rbo+ Lhese?) 9ad leads the c l mm *ply (Ye&!): a fo&s Q* I Qpe r t a ~QWmpp h i qmsent d i m ancl mffssage botb, but &Q nad his mute ~ ~ q a a i o n s seem to ~ ~ ~ J X S Z S I C Medium a d Spirit WOEMbath. Hideousfigures danchg on the edge d *on, twisted ugiy dgnizens ef &e H o b w City9 be celebrates them while hes4%sgrdest &em, b I f ns informer m them, a d wcmc among them:

T k ' s mxe apgw we don't have ww. If he's s d l l hm la&m ia Iy& h t i o n ,

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shapes aa&wr c o b ~ c ; e .Not son&tls-thcshapef

Ia TXs N&s 3dng G i we even mare gstmed, saen irloezd-y *-, In mare eangaaed thes - km we do rgEec tboe hp's onto swmxhhg. Unesse re- W t e ~ a r r s y W .

Thiblrslezicanj t d m me, this l P l d W m a m i d - w s l b m m s ; a i d , W t yau think ges,pie are jast p e w to lidze p t h i r $ h i p ? S m y c t u ~ h i a k t t s e y ' r e j w y u u - a l ~ .IiiS&qg1&4 I&o+ it mteal&my. I f s edsxbly, well, i t might b m . . . 1 Wf kim, yOU adt be qbj~e-tbea b u t it."

kr~zewnaY%,weafo*~88.-

taken _for 6ti@ibm9ntnd his lzdc af inrroes~in saying whar wer ~Dnfused

"I've got some really horrible p a w bow d e s I've wrimn h gears back. I can't rpen reed them now."

BWapse d q ' m scary? "&ca\geinyoutmindatthectretimc, they're actually bPppenirtg. W*, f mean, they au l d have. lhy'rt set c o d where 1 live (PRsmith, near Manchesrn): I went &LW& a ~ o f s e e i s g ~ w h e 1 1 I w a s a b o u r 1 8 , 19."

The Eau on uncaany &a-

The Fall. W i a Eye into an~*ntmu*le W A T C H I N G T H E e f l P Y rXa$db@:$B#% spkx to . .S ,i ilknminate lh& m Mark;wth,&@m*w Keal, writers get music out off& s a l h - n f i i n t ~ ~resdllcxmiiqftruk. ttre depths of h h m W w w w b r a b a d 8 n y i d e a d fItJr fonr LPS, w a

-ias,theaspunk their m hsasy, k the llul'mrnM66

of mdc , PHOTOGWH :JAY%@ k shallanism, about pewus of knowing. He d m ' t expen a*ag e f s e : t h e s e o r r h f $ r r r u t h n e c ~ y ~ a l ~

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tmm s c o d by srruggh to arQI &W, a d

F B e k ~ ~ ~ ~ ~ d ~ , & ~ ~ e e n a r l d h e U

:rhe@idiUginro*

k y G a d s t ~ ~ o a d a d r a."HelasgirsW the way that comes our. "Not anything tbat myone dh w

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