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JUNE 1981 Editor: Anne Smith Assistant Editor: Deborah Mitche/1 Editorial Office: The Uterary Review 30 York Place Edinburgh EH1 3EP Tel: 031-557 1356 Business and Advertising: Bridget Heathcoat Amory 27 Goodge Street London W1 Tel: 01-580 7510 All mss. should be accompanied by a stamped addressed envelope. These are submitted at the authors ' own risk, and while every possible care is taken, The Literary Review cannot hold itself responsible for any loss or damage. The Literary Review is always available in London at Quartet Bookshop in Poland Street, W. 1. ~ 1981 The Uterary Review, a member of the Namara Group . CONTENTS EDITORIAL . .. . . . . . . . . . . . . . . . . . . . . . . . . THE WORLD OF BOOKS Peter Mann on literary novels in the l ibraries- who reads them? . . . . . . . . . . . . . . . . . . . . . . . Michael Sissons on Bestsellers, expected and unexpected .. Alan Day on the Everyman Library: The first 75 years . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . FICTION Richard Brautigan, Muriel Spark, J. G. Farrell, Keith Waterhouse , begins . . . . . . . . . . . . . . . Anita Desai on Island and Other Stories REVIEWS AND REVIEWERS A new feature: the reviews reviewed CHILDREN'S BOOKS . . . . . . . . . . . . . . . POETRY Stan Smith on Ezra Pound: and 'the deepest dirtiest secrets of English culture. ' . . . Nairn Attallah on the poetry of exile . . . . . . . . . 3 . 5 6 8 10 15 16 18 20 21 FRENCH Roger Uttle on Frenaud and the Silence of God; Graham Martin on Jabes and the absence of God . 23 PAPERBACKS . . . . . . . . . . . . . . . . . . . .. .. RELIGION Ronald Higgins on Mary Kenny's ch ristianity : 25 'What works need not be true . What is t rue need not work' . . . . . . . . . . . . . . . . . . . . . . . . 26 QUESTION BOX Freedom in the arts ? . . . . . . . . . . . . . . . . . . . . . . 27 UVES AND LETTERS Benkovitz and Brophy's Beardsley: 'the succubus and the housekeeper.' . . . . . . . . . . . . 28 DRAMA Katharine Worth on Webster . . . . . . . . . . . . . . . 30 ART John McEwen: The Umehouse School 31 -~)\\, Al. POLITICS Martin Walker on the CIA in Chile . . . . . PRESS . . . . . .. . . . . . . . . . . . . . .. . . FILM . . . . . . . . . . . . . . . . . . . . . . . . . .. . TV . . . . . LETTERS From Ludovic Kennedy, John Vaizey and others . SHORT STORIES Penelope Uvely: The Ghostofa Flea . 'Actually,' she said, 'I have tried to kill myself. Twice I wasn 't going to tell you . . . . . . . . . . . . . . . . . . POEMS . . . . . . .. . .. .. . . . . . . . . . . . . . . . . .. COMMENTARY George Hay: Now Hear Th is . . . . . . . . . . . . . . . . Brian Marriner on being a dole-queue writer . . 32 33 34 36 37 i 38 44 45 47 Notes on Contributors Duncan Fallowell's last book was Drug Tales . His next book , on April Ashley , will be published by Jonathan Cape this year. Christopher Hawtree works on London Magazine. Ronald Higgins is a former diplomat and Observer executive . He is the author of The Seventh Enemy, a freelance writer and lecturer on ecological issues. Norman Lebrecht is a freelance writer and small publisher. Roger Little is Professor of French at Dublin University. Peter Mann is Reader in Sociology at Sheffield University. Graham Martin is a lecturer in French at Edinburgh University. Michael Sissons is managing director of A. D. Peters literary agency. Stan Smith is a lecturer in English at Dundee. University . Cover illustration by Debi Angel of Namara Features
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JUNE 1981 EDITORIAL Anne Smith 'Literary'Novels The results of Peter Mann's research into the readership of 'literary'novels (p. 5 of this issue) are depressing, i f predictable, but only because they emphasise what a great gap there is between the l i terati and ordinary folk who read books. Gore Vidal made the same point in conversation with Malcolm Bradbury and Melvyn Bragg in The South Bank Show (London Weekend Television 3 May) . Vidal maintained that l i terature isno longer central to our culture, and that i ts place has been taken by film. He complained that, aside from a handful of 'old-timers'like himself and Saul Bellow, nobody cared much about the writing of fiction now. Instead, what we have is an academic industry in which, say, Professor X from Michigan writes 'novels' to be studied by Professor Y and his students in Boston, and vice versa. These things, Vidal argued, shouldn't be called novels at all, but 'literary texts'. The situation is exacerbated, he continued, by the fact that most book reviewers · now are academics. When I started The Literary Review a distinguished bookseller wrote to me and said he hoped I'd be able to find reviewers who would have the courage to criticise the novels now being written by the l i terary establishment. Why didn't someone point out, for example, that Naipaul quite obviously just doesn't l ike people any more, and that his novels have got harder and harder to read, since the genius and humanity of A House for Mr. Biswas? A friend for whose intelligence I have the greatest respect recently told me that he's bought one or two 'literary' novels in paperback, feeling that there were great gaps in his reading. He discovered that he couldn't read them: they were too solid, too heavy, too intellectual. His confession came out with a great deal of embarrassment and hesitation; he was , 'humiliated by what he felt to be his own inadequacy. Another friend, a writer, told me dolefully that 'the conceptual novel is on the way out'. I couldn't sympathise; I'm with D. H. Lawrence all the way when he says if you try to nail a novel down to a theory, i t just gets up and walks away with the nail-for the art of fiction should after all be an act of creation, in which the passion for life, or a passionate curiosity about life, is served by the intellect. I say this with the utmost conviction, having just re-read some of Graham Greene"'s work, and Fay Weldon's Puffball (see p. 16): I was gripped and drawn in to the masterful telling of the tale, and made to feel not only as I read, but afterwards, that what happened to these characters' l ives had a great deal of meaning for my own; they changed my picture of the world from the heart out. A novel that doesn't do that is a failure. A novelist who fails to communicate any sense of the significance, to us all, of his or her characters' l ives is a failure. And a much-feted novelist who is read by only his or her academic critics isn't l iving in the real world . I wonder what would happen to the novel if a moratorium were put on the teaching of Eng. Lit. in the universities for a couple of generations? Or if the Arts Council were forbidden to subsidise individual writers? Arts Council The Arts Council has in fact taken this decision, and not before t ime, because the bulk of i ts grants were given to middle-class writers 'who already had a comfortable income from other sources, or the education to obtain this. Blake Morrison sums up an 'unpublished report, which found that: 42 % ofthe writers receiving grants between 1975-78 l ived in L'ondon, and 82 % south of Cambridge; that 78 % were from professional or middle class backgrounds; that most had been educated at Oxbridge or London; that, in short, writers receiving Arts Council assistance did not represent a cross-section of the populace. Though not wholly convinced by talk of nepotism and cliquishness (it was found) that some writers who received grants, or sponsored the applications of others, did so 3 Winner of the 1981 National Book Award for Creative Non-Fiction 1iJeVICTORIANS aJUl ANCIENT GREECE ~~ remarkably interesting, original and well-written ; it is a real work of scholarship too . . . An excellent book in every way, and one which seemed to me very definitely at the head of the class.' John Bayley in his adjudication for the Award 'Mr Jenkyns has written an excellent book , which ranges widely and never fails to instruct and entertain .' Colin Haycraft, The Obs'erver 'a marvellous exercise in cultural history - learned, witty, abrasive.' John Leonard, New York Times ;This important and original book examines the enormous influence that ancient Greece has· on nineteenth century attitudes in literature, art, architecture, politics, and all the other rooms, corridors and crevices of life . . . Tlie book manages to be both learned and lively . . . a smashing stimulating book.' Philip Howard, The Times masterly . . . the result is outstandingly good.' Robin Lane Fox, Financial Times 'Mr Jenkyns is a perceptive critic, and has given us an important work of literary and cultural history.' Christopher Stace , Daily Telegraph 'offers a great deal of information, clearly and pleasingly .' Hugh Lloyd-Jones, London Review of Books 398 pages , 8 plates , .£15.00 (0 631 10991 9) Basil Blackwell Publisher 108 Cowley Road, Oxford OX4 lJF

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JUNE 1981 Editor: Anne Smith Assistant Editor: Deborah Mitche/1

Editorial Office: The Uterary Review 30 York Place Edinburgh EH1 3EP Tel: 031-557 1356 Business and Advertising: Bridget Heathcoat Amory 27 Goodge Street London W1 Tel: 01-580 7510

All mss. should be accompanied by a stamped addressed envelope. These are submitted at the authors ' own risk, and while every possible care is taken, The Literary Review cannot hold itself responsible for any loss or damage. The Literary Review is always available in London at Quartet Bookshop in Poland Street, W. 1.

~ 1981 The Uterary Review, a member of the Namara Group .

CONTENTS

EDITORIAL . .. . . . . . . . . . . . . . . . . . . . . . . . . THE WORLD OF BOOKS Peter Mann on literary novels in the l ibraries-

who reads them? . . . . . . . . . . . . . . . . . . . . . . . Michael Sissons on Bestsellers, expected and unexpected .. Alan Day on the Everyman Library: The first 75

years . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

FICTION Richard Brautigan, Muriel Spark, J. G. Farrell,

Keith Waterhouse , begins . . . . . . . . . . . . . . . Anita Desai on Island and Other Stories

REVIEWS AND REVIEWERS A new feature: the reviews reviewed

CHILDREN'S BOOKS . . . . . . . . . . . . . . . POETRY Stan Smith on Ezra Pound: and 'the deepest dirtiest secrets of English culture. ' . . . Nairn Attallah on the poetry of exile . . . . . . . . .

3 .

5

6

8

10 15

16 18

20 21

FRENCH Roger Uttle on Frenaud and the Silence of

God; Graham Martin on Jabes and the absence of God .

23

PAPERBACKS . . . . . . . . . . . . . . . . . . . .. .. RELIGION Ronald Higgins on Mary Kenny's ch ristianity :

25

'What works need not be true . What is t rue need not work' . . . . . . . . . . . . . . . . . . . . . . . . 26

QUESTION BOX Freedom in the arts ? . . . . . . . . . . . . . . . . . . . . . . 27

UVES AND LETTERS Benkovitz and Brophy's Beardsley: 'the succubus and the housekeeper.' . . . . . . . . . . . . 28

DRAMA Katharine Worth on Webster . . . . . . . . . . . . . . . 30

ART John McEwen: The Umehouse School

31

-~)\\,

Al.

POLITICS Martin Walker on the CIA in Chile . . . . .

PRESS . . . . . .. . . . . . . . . . . . . . .. . . FILM . . . . . . . . . . . . . . . . . . . . . . . . . .. . TV . . . . . LETTERS From Ludovic Kennedy, John Vaizey and others .

SHORT STORIES Penelope Uvely: The Ghostofa Flea . 'Actually,'

she said, 'I have tried to kill myself. Twice I wasn 't going to tell you . . . . . . . . . . . . . . . . . .

POEMS . . . . . . .. . .. .. . . . . . . . . . . . . . . . . .. COMMENTARY George Hay: Now Hear Th is . . . . . . . . . . . . . . . . Brian Marriner on being a dole-queue writer . .

32

33

34

36

37 i

38

44

45 47

Notes on Contributors

Duncan Fallowell's last book was Drug Tales .

His next book , on April Ashley , will be published by Jonathan Cape this year. Christopher Hawtree works on London

Magazine. Ronald Higgins is a former diplomat and

Observer executive . He is the author of The Seventh Enemy, a freelance writer and lecturer on ecological issues. Norman Lebrecht is a freelance writer and small publisher. Roger Little is Professor of French at Dublin

University. Peter Mann is Reader in Sociology at Sheffield

University. Graham Martin is a lecturer in French at

Edinburgh University. Michael Sissons is managing director of A. D. Peters literary agency. Stan Smith is a lecturer in English at Dundee.

University .

Cover illustration by Debi Angel of Namara Features

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