‘Yin-yo laps in the reeds, my guest departs, The maple leaves blot up their shadows, The sky is full of autumn, We drink our parting in saki. Out of the night comes troubling lute music, And we cry out, asking the singer’s name, And get this answer:
“Many a one
Brought me rich presents; my hair was full of jade, And my slashed skirts, drenched in expensive dyes, Were dipped in crimson, sprinkled with rare wines. I was well taught my arts at Ga-ma-rio, And then one year I faded out and married”. The lute-bowl hid her face.
‘We heard her weeping’.
Society, her sparrows, Venus’ sparrows, and Catullus Hung on the phrase (played with it as Mallarmé Played for a fan, ‘Rêveuse pour que je plonge’); Wrote out his crib from Sappho: ‘God’s peer that man is in my sight – Yea, and the very gods are under him, Who sits opposite thee, facing thee, near thee, Gazing his fill and hearing thee, And thou smilest. Woe to me, with Quenched senses, for when I look upon thee, Lesbia, There is nothing above me And my tongue is heavy, and along my veins Runs the slow fire, and resonant Thunders surge in behind my ears, And the night is thrust down upon me’. That was the way of love, flamma dimanat. And in a year, ‘I love her as a father’; And scarce a year, ‘Your words are written in water’; And in ten moons, ‘Caelius, Lesbia illa – That Lesbia, Caelius, our Lesbia, that Lesbia Whom Catullus once loved more Than his own soul and all his friends,
10 Posthumous Cantos