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Contents contents

List of Figures

Acknowledgements

Introduction

1 Sustaining Dominant Narratives: La hora azul, Abril rojo,

and Un  lugar llamado Oreja de Perro

2 Transitional Justice and Reconciliation through Identification:

Paloma de papel and La teta asustada

3 Dead Body Politics: Grupo Cultural Yuyachkani at the

CVR Hearings

4 Towards a Narrative Pachacutic: Rosa Cuchillo

5 Collaborative Truth-Telling: The Art of Edilberto Jiménez and the Chungui Testimonies

6 Reconciling through other Knowledges: The Yuyarisun

Contests in Ayacucho

Conclusion: Some Thoughts on Memory Museums

Works Cited

Index vii ix

1

30

60

88

107

134

163

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191

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