contributors
This month’s pulpit is written by D J Taylor. His book The Prose Factory is newly out in paperback.
John Banville’s most recent book is Time Pieces: A Dublin Memoir.
Richard Canning is the editor of Vital Signs (2007), an anthology of American AIDS fiction.
John Clay is writing a family memoir.
Jude Cook’s Byron Easy is published by William Heinemann.
Roger Crowley’s most recent book is Conquerors: How Portugal Forged the First Global Empire.
Anthony Cummins is a freelance writer.
Lesley Downer writes on Japan. Her fourth novel, The Shogun’s Queen, was published in November.
Patricia Duncker is Emeritus Professor of English at the University of Manchester. Her novel about George Eliot, Sophie and the Sibyl, was published in 2015.
Catherine Fletcher is Associate Professor in History and Heritage at Swansea University. Her latest book is The Black Prince of Florence (The Bodley Head).
Charles Foster is a Fellow of Green Templeton College, Oxford, and author of Being a Beast.
David Gelber is managing editor of The Court Historian.
John Gray’s latest book is a new edition of Gray’s Anatomy: Selected Writings.
Dominic Green is a historian and critic and teaches politics at Boston College.
Maximilian Hildebrand is captain of the Butterlords.
Nick Holdstock is the author of The Casualties, a novel.
Jonathan Keates’s most recent book is The Siege of Venice (Chatto & Windus).
John Keay’s The Tartan Turban: In Search of Alexander Gardner has just been published by Kashi House. Sam Kitchener is a freelance writer. Manjit Kumar is the author of Quantum: Einstein, Bohr & the Great Debate about the Nature of Reality (2008), which was shortlisted for that year’s BBC Samuel Johnson Prize. Adam LeBor’s thriller, The Budapest Protocol, is published by Telegram. Norman Lebrecht is the author of Why Mahler? and fourteen other books. He runs www.slippedisc.com, the world’s most-read classical music website. Andrew Lycett is a biographer whose books include Rudyard Kipling and Wilkie Collins. Jessica Mann’s latest book is The Stroke of Death (Crowood). Maria Margaronis is a journalist and broadcaster, and a contributing editor to The Nation. Tim Martin is a freelance writer. Jonathan Meades’s The Plagiarist in the Kitchen will, with luck, now be published in May. Joe Moshenska is the author of Feeling Pleasures: The Sense of Touch in Renaissance England and, most recently, A Stain in the Blood: The Remarkable Voyage of Sir Kenelm Digby. William Palmer has published seven novels, the latest of which, The Devil is White, came out in 2013 (Cape). Lucy Popescu has edited A Country of Refuge, a collection of writing on asylum seekers, published recently by Unbound.
Kevin Power’s novel Bad Day in Blackrock is published by Pocket Books.
David Pryce-Jones’s most recent book is an autobiography, Fault Lines (Criterion).
Donald Rayfield is Emeritus Professor of Russian and Georgian at QMUL. He is working on histories of the Crimean khanate and 19th-century Russian medicine.
Patrick Scrivenor has been a soldier, writer, journalist and gamekeeper. His latest book is Mad Toffs.
Thomas Shippey was formerly Walter J Ong Chair of Humanities at Saint Louis University. Now retired to Dorset, he continues to publish on Old English and on the reception of medieval materials in the modern world.
Joan Smith is working on a book about a murder that changed her parents’ lives. She is co-chair of the Mayor of London’s Violence Against Women and Girls Board.
James Stourton was chairman of Sotheby’s UK until 2012.
Damian Thompson is associate editor of The Spectator and editorial director of the Catholic Herald.
Adrian Turpin is a freelance writer and programmer and director of the Wigtown Festival.
Gavin Weightman is the author of The Industrial Revolutionaries: The Making of the Modern World (Grove Atlantic) and What the Industrial Revolution Did For Us (BBC Books).
Sara Wheeler’s books include The Magnetic North: Travels in the Arctic (Vintage).
Melanie White is editor of Shooter Literary Magazine.
Frances Wilson is writing a book about D H Lawrence.
Literary Review | march 2017 4