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THE ]E wIsH _LETT_E_R_S --------------­ QUARTERLY Founding Editor Jacob Sonntag (1953-1984) Editor Elena Lappin Assistant Editor Barbara Rosenbaum Art Director Adrian Taylor Production Editor Sally Lansdell Yeung Drawings Sharon Kaitz Haya Vardy Editorial Board (london) Bryan Cheyette Moris Farhi, Jonathan Fishburn Leslie Hakim-Dowek, David Herman Emmanuel Kattan, Elsbeth Lindner Peter Mandler, Mark Mazower Louise Sylvester, Shelley Weiner International Editorial Board Maarten Ascher (Amsterdam) Maxim Biller (Munich) David Curzon (New York) Andre Glucksmann (Paris) David Grossman (Jerusalem) Sami Michael (Haifa) Jonathan Wilson (Boston) The Jewish Quarterly is published four times a year by Jewish Literary Trust Ltd, Registered charity No 268589 Executive Committee Martin Green (Chair) Ellen Schmidt (Vice-Chairman) Marion Cohen, Michael Daniels Michael Joseph, Andrew Franklin Emmanuel Grodzinski Patrons Isaiah Berlin, Elizabeth and Sidney Corob Sue Hammerson, Peter E.J. Held Sir Stanley Kalms, Colette and Peter Levy Colette Littman, F.D. Lucas, Clive Marks Lord Rayne, Sir Sigmund Sternberg, Roger Wingate, Fred and Della Worms Advertising and Publicity Louise Harrison TeVFax +44 0181 675 6151 Administration Gerald Don PO BOX 2078, London W1A lJR Editorial Tel/Fax +44 0181 361 6372 Administration Tel +44 0171 629 5004 Fax +44 0171 629 5110 e-mail: jewish.quarterly@ ort.org http://ortnet.ort.org/communit/jqjstart.htm Unsolicited manuscripts must be accompanied by a SAE. For contributors' guidelines, please send a SAE. For new subscriptions or renewals by CREDIT CARD please phone our subscription office at +44 0181 885 2447, fax +44 0181 365 0145. Subscription requests can also be posted to THE MAILING HOUSE, 1 Northumberland Park Industrial Estate, 76/78 Willoughby Lane, London N17 OSN. Annual subscription: UK £15.00, Europe £17.50, Other £25.00 (including air mail postage), in sterling by IMO, Visa or Mastercard. UK distributor: Central Books. Tel 0181 986 4854 Fax 0181 533 5821 Printed by Spider Web, London N7 © copyright The Jewish Quarterly 1997 ISSN 0449-010x THlUEWISH QUARTERLY The Jewish Quarterly welcomes letters to the editor. Published letters are subject to editing. POB 2078, London W1A lJR, fax 0181 361 6372, e-mail jewish.quarterly@ort.org Survivors, writers, historians We are the Swiss and British publishers of the two books severely criticized by David Cesarani in the Jewish Quarterly (no. 164, winter 1996/97). Unlike him, we believe that if the Holocaust belongs to anyone, it is to the survivors and not to the academic historians. If 'testimony needs to be read critically' he will not object if we do the same to his review. It lacks humility and modesty. It is authoritarian in tone. We note that Cesarani was more polite to David Irving (in the Jewish Chronicle) than to the survivor authors of our books. Unlike Cesarani we are not concerned to joust with Holocaust deniers and revisionists. They will always find some little detail to damn a book-just as he does, oddly enough. 'In its present form (Max Perkal's] testimony is a gift to Holocaust deniers.' We are not bothered if those people seek to use our books for their own ends. Cesarani should read Vidal-Naquet-a leading French classical historian whose parents were deported and who has reflected deeply on these matters; we recommend 'Living with Faurisson' in The Assassins of Memory (1992). Perkal wrote his account aged nineteen, in summer 1945, perhaps the earliest surviving memoir. Cesarani accuses him of an 'inaccurate and misleading' and 'fantastic' account of his time in Birkenau/ Auschwitz and Buchenwald and yet only supplies two minor examples of error. Who is David Cesarani even to suggest Perkal was not in the Sonderkommando or indeed Birkenau at all, and thm excuse him for his supposed error? Perkal's account is a vital act of witness-that is the reason the two publishers (themselves literary critic and historian respectively) brought the book out. After attacking Max Perkal, David Cesarani turns his attentions to Elisabeth Sommer-Letkovits, who wrote her own vital act of witness aged eighty-eight, fifty years after the events. Had Cesarani paused to consider the human situation of a frail eightyeight-year-old, he would have realized that 4 THE JEWISH QUARTERLY SPRING 1997 she had her priority. This was to tell the extraordinary story of her survival in Ravensbri.ick and Bergen Belsen together with her seven-year-old son. Cesarani's objection to the deportation scene is trivial. If Primo Levi can rely on Dante for some of his most powerful effects why can't Elisabeth Sonuner-Letkovits draw on movies, supposing Cesarani is right that she did this? She 'evidently assumes the reader will have seen as many films about the Holocaust as she has'. If she assumes any such thing she is probably right. Like the Jewish Quarterly, Menard and Chronos Verlag have serious readers. We believe that one of the strengths of Sommer-Letkovits's memoir is that she is so scrupulous about the problems of memory. Yes, her memoir is 'fragmented' and 'worked over'. So what if other hands were involved?--though there is an innuendo in the review that other people's memories may have been incorporated. Unlike SommerLetkovits's memoir, Perkal's is 'hallucinatory' and 'poetic'. In effect Cesarani objects to the unedited nature of Perkal's writing, and the edited nature of Sommer-Letkovits's. For opposite crimes they are both damned. David Cesarani sees the 'phenomenal number' of survivor testimonies as forming a mere 'genre', even though the survivors themselves are 'by definition untypical'. But 'typically, survivors were resourceful, physically tough, clever, able to pass as Aryan ... etc'. Did any of these apply to the seven-year-old Ivan Letkovits? (He writes to us that he survived only because 'on the day of liberation of Belsen on 15 April1945 at 3pm I got a glass of water. At 5pm I would not have been able to swallow, I would have been dead.') What would a 'typical' memoir read like? Probably the linear narrative of the proactive (to put it mildly) Henry Herzog, the only one praised by the reviewer. And if the genre of testimony 'has its own distinctive narrative structures', how come all three are so 'different from each other'? Overall, the reviewer is on shaky ground, partly because, we suspect, an inappropriate canon of professional history is his be-ali and end-all. What does he make ofRobert Antelme's masterpiece, an even more literary book than Levi's, if that is possible? Anthony Rudolf, Menard, London Monika Bucheli, Chronos, Zurich utters continued on page 77
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THE SUPERMARKET OF GENDER POLITICS Men v. Women in the 1990s By Linda Grant ore than a quarter of a century has passed since the beginning of secondwave feminism, the movement which once again took up the struggle for women's rights abandoned or lost when women's suffrage was won after the First World War. It is twenty-six years since the publication of 17te Female Ermuch, twenty-seven years since the Oxford women's conference of 1970 which brought together, at Ruskin College, the women who would become the theorists and activists of British feminism: Juliet Mitchell, Michelene Wandor, Sheila Rowbotham, Sally Alexander, Janet Hadley, Val Charlton, Selma James and Audrey Wise. What were the demands of that conference? They were equal pay, equal education and opportunity, twenty-four-hour nurseries and free abortion and contraception on demand. If we measure feminism's progress since then by the campaigns deemed in 1970 to be crucial to women's advancement, we appear to have got nowhere at all, and feminism can be judged as a spectacular failure, a social upheaval that created vast expectations without fulfilling them. Women still earn around 66 per cent of the male wage, even excluding the proportionately lower pay of part-time workers. Nursery provision is limited and expensive. Abortion has become the battle-ground for the new moralists and no contraceptive can be said to be both entirely safe and entirely effective, let alone free. Only in education have women been seen to have made real advances, beating boys in examinations in virtually all subjects. Who now remembers the names of the conference participants? Who, under the age of forty, recognizes a single one? American feminism produced wave after wave ofhigh-profile writers and journalists, and revitalized feminism for a younger generation with new recruits like Susan Faludi and Naomi Wolf. The historic defeat of British feminism is partly attributable to it~ insistence on an alliance with socialism; much of its most fruitful work addressed itself to the grassroots, to communities. In the 1970s it went into town halls and trade unions and, with the Thatcherite assault on labour and municipal socialism in the 1980s, socialist feminism sank with Ken Livingstone into the oubliette of history. But the demands of the Oxford women's conference have by no means vanished just because the movement that made them its campaigning programme disappeared. Equal pay strikes continue, single parents continue patiently to explain to politicians that they cannot get out of the poverty trap without childcare. What has altered is the attention these campaigns receive in the media which, as ever, is hungry for the new. If feminism no longer seems to be a coherent movement with a leadership and a list of demands, it is because one can only go on for so long campaigning for changes that never come, and also maintain some kind of structured force. It must diversifY in order to survive. And this is why it seems so very difficult to get an angle on contemporary feminism, to have a sense of what it is for and in which direction it is proceeding. It has fractured in places, disintegrated in others, gone up the path marked separatism and been lost to view, or dissolved itself into the mainstream. Linda Grant is a London·based journalist, critic and novelist. SPRING 1997 Tm: JEWISH QUARTERLY 5

THE SUPERMARKET OF

GENDER POLITICS

Men v. Women in the 1990s

By Linda Grant ore than a quarter of a century has passed since the beginning of secondwave feminism, the movement which once again took up the struggle for women's rights abandoned or lost when women's suffrage was won after the First World War. It is twenty-six years since the publication of 17te Female Ermuch, twenty-seven years since the Oxford women's conference of 1970 which brought together, at Ruskin College, the women who would become the theorists and activists of British feminism: Juliet Mitchell, Michelene Wandor, Sheila Rowbotham, Sally Alexander, Janet Hadley, Val Charlton, Selma James and Audrey Wise. What were the demands of that conference? They were equal pay, equal education and opportunity, twenty-four-hour nurseries and free abortion and contraception on demand. If we measure feminism's progress since then by the campaigns deemed in 1970 to be crucial to women's advancement, we appear to have got nowhere at all, and feminism can be judged as a spectacular failure, a social upheaval that created vast expectations without fulfilling them. Women still earn around 66 per cent of the male wage, even excluding the proportionately lower pay of part-time workers. Nursery provision is limited and expensive. Abortion has become the battle-ground for the new moralists and no contraceptive can be said to be both entirely safe and entirely effective, let alone free. Only in education have women been seen to have made real advances, beating boys in examinations in virtually all subjects. Who now remembers the names of the conference participants? Who, under the age of forty, recognizes a single one? American feminism produced wave after wave ofhigh-profile writers and journalists, and revitalized feminism for a younger generation with new recruits like Susan Faludi and Naomi Wolf. The historic defeat of British feminism is partly attributable to it~ insistence on an alliance with socialism; much of its most fruitful work addressed itself to the grassroots, to communities. In the 1970s it went into town halls and trade unions and, with the Thatcherite assault on labour and municipal socialism in the 1980s, socialist feminism sank with Ken Livingstone into the oubliette of history.

But the demands of the Oxford women's conference have by no means vanished just because the movement that made them its campaigning programme disappeared. Equal pay strikes continue, single parents continue patiently to explain to politicians that they cannot get out of the poverty trap without childcare. What has altered is the attention these campaigns receive in the media which, as ever, is hungry for the new. If feminism no longer seems to be a coherent movement with a leadership and a list of demands, it is because one can only go on for so long campaigning for changes that never come, and also maintain some kind of structured force. It must diversifY in order to survive. And this is why it seems so very difficult to get an angle on contemporary feminism, to have a sense of what it is for and in which direction it is proceeding. It has fractured in places, disintegrated in others, gone up the path marked separatism and been lost to view, or dissolved itself into the mainstream.

Linda Grant is a London·based journalist, critic and novelist.

SPRING 1997 Tm: JEWISH QUARTERLY 5

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