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FRONT EDITORIAL EDITOR PRIYA KHANCHANDANI Art director Robin Farley Contributors Tim Abrahams, Vanessa Bell, Crystal Bennes, Eddie Blake, Alice Bucknell, Lia Forslund, Bryony Hancock, Joe Lloyd, Ian Lowey, Jay Merrick, Anna Winston Content editor Rita Lobo Digital development editor Jenny McFarlane Digital content executive Gemma Parkes Editor-in-Chief Lisa Allen ADVERTISING Commercial manager Tim Price Sales manager Michael Yap Senior sales executive Lindsay Hudson For advertising enquiries please contact michael.yap@icon-magazine.co.uk MARKETING Senior marketing manager Sarah Potter Circulation & marketing manager Mark Kenton Marketing designer Chris Moore PRODUCTION Production operations manager Nicola Merry Production assistant Hannah Fenton Production artworker Milena Bailey PUBLISHING Publishing director Yvonne Ramsden Founding publishing director Daren Newton Divisional director Justin Levett Managing director Richard Morey Chief executive officer Lee Newton Icon is published monthly by Media 10 Limited Crown House 151 High Road Loughton IG10 4LF United Kingdom tel: +44 20 3225 5200 fax: +44 20 3225 5201 subscriptions: +44 1858 438428 sales@icon-magazine.co.uk icon@subscription.co.uk iconeye.com @iconeye facebook.com/iconeye Professional Publishers Association 1 2 3 Contributors September 2018 4 5 It has been a month of discoveries. Architect Eddie Blake (2) delved into the storefront mosques of Tower Hamlets, finding in them ‘powerful and unselfconscious architectural expression’. Charting urban interventions in Beirut, Crystal Bennes (1) couldn’t pass up the chance to visit Niemeyer’s unfinished exhibition centre in Tripoli. ‘The buildings,’ she says, ‘were in better condition than expected, the gardens immaculate, and the acoustics in the dome unreal.’ Encountering Erez Nevi Pana’s work led Anna Winston (3) to uncover a raft of vegan designers, whose beliefs breed ‘a particularly passionate and experimental way of working’. Lia Forslund (5) contemplated the Emeco Navy chair from a Swiss mountaintop near the hydroelectric power plant at Safiental, where she realised the post-war values of longevity and engineering formed a consensus. And ‘in an age of hyper-connectivity and post-truth politics’, learnt Alice Bucknell (4) while writing on magazine culture, ‘print influences, inspires and binds together its authors and readers’. 9

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FRONT

EDITORIAL EDITOR PRIYA KHANCHANDANI

Art director Robin Farley

Contributors Tim Abrahams, Vanessa Bell, Crystal Bennes, Eddie Blake, Alice Bucknell, Lia Forslund, Bryony Hancock, Joe Lloyd, Ian Lowey, Jay Merrick, Anna Winston

Content editor Rita Lobo

Digital development editor Jenny McFarlane

Digital content executive Gemma Parkes

Editor-in-Chief Lisa Allen

ADVERTISING Commercial manager Tim Price

Sales manager Michael Yap

Senior sales executive Lindsay Hudson

For advertising enquiries please contact michael.yap@icon-magazine.co.uk

MARKETING Senior marketing manager Sarah Potter

Circulation & marketing manager Mark Kenton

Marketing designer Chris Moore

PRODUCTION Production operations manager Nicola Merry

Production assistant Hannah Fenton

Production artworker Milena Bailey

PUBLISHING Publishing director Yvonne Ramsden

Founding publishing director Daren Newton

Divisional director Justin Levett

Managing director Richard Morey

Chief executive officer Lee Newton

Icon is published monthly by Media 10 Limited

Crown House 151 High Road Loughton IG10 4LF United Kingdom tel: +44 20 3225 5200 fax: +44 20 3225 5201

subscriptions: +44 1858 438428 sales@icon-magazine.co.uk icon@subscription.co.uk iconeye.com @iconeye facebook.com/iconeye

Professional Publishers Association

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2

3

Contributors

September 2018

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5

It has been a month of discoveries. Architect Eddie Blake (2) delved into the storefront mosques of Tower Hamlets, finding in them ‘powerful and unselfconscious architectural expression’. Charting urban interventions in Beirut, Crystal Bennes (1) couldn’t pass up the chance to visit Niemeyer’s unfinished exhibition centre in Tripoli. ‘The buildings,’ she says, ‘were in better condition than expected, the gardens immaculate, and the acoustics in the dome unreal.’ Encountering Erez Nevi Pana’s work led Anna Winston (3) to uncover a raft of vegan designers, whose beliefs breed ‘a particularly passionate and experimental way of working’. Lia Forslund (5) contemplated the Emeco Navy chair from a Swiss mountaintop near the hydroelectric power plant at Safiental, where she realised the post-war values of longevity and engineering formed a consensus. And ‘in an age of hyper-connectivity and post-truth politics’, learnt Alice Bucknell (4) while writing on magazine culture, ‘print influences, inspires and binds together its authors and readers’.

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