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EURASIAN ARTS GALLERY WWW.NOMADIC.ORG.UK BRUSSELS & LONDON Sarmatian gold torc 4th-3rd century BC Rue des Minimes 19, 1000 Brussels By appointment in London +44 (0)7423 333929 mgoldelman@gmail.com
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DECEMBER 2018 VOLUME CLXXXVIII No– 670 l Bodycomb ichae : M to ilms / Pho Dogs F ing Smok ller y; © Ga isson Cour tesy L 15 Editor’s Letter 16 Agenda December highlights 18 Forum Should paintings be conserved in public? 21 Diary Sue Canterbury on Ida O’Keeffe 23 Letter Samuel Reilly in Lagos 26 Architecture Michael Hall on the stained glass of Charles Eamer Kempe 29 Q&A Haroon Mirza on sonic art, solar power and minimalism Cover Caresses (detail), 1896, Fernand Khnopff (1858–1921), oil on canvas, 50.5 × 150cm. Royal Museums of Fine Arts of Belgium, Brussels Photo: J. Geleyns Art Photography See feature on pp. 80–85 APOLLO DECEMBER 2018 34 Inquiry Daniel Trilling wonders if ‘political art’ is all that political 39 London Art Week Preview Sophie Barling selects her highlights of the event Apollo Awards 2018 44 Personality 48 Artist 52 Museum Opening 54 Exhibition 56 Book 58 Digital Innovation 60 Acquisition Plus our survey of the year’s key acquisitions 70 Interview Matthew Girling, Global CEO, Bonhams p. 48 Features 72 Fit for the Frick Susan Moore talks to Sidney Knafel about his outstanding collection of French faience 80 Becoming Belgian Tom Stammers on the mysterious paintings of Fernand Khnopff in fin-de-siècle Belgium 86 Moving Lines Jasmine Jagger on Edward Lear’s hopeless passion for the poetry of Alfred Tennyson p. 72 11

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DECEMBER 2018 VOLUME CLXXXVIII No– 670

l Bodycomb ichae

: M

to ilms / Pho

Dogs F

ing

Smok ller y; ©

Ga isson

Cour tesy L

15 Editor’s Letter 16 Agenda

December highlights 18 Forum

Should paintings be conserved in public? 21 Diary

Sue Canterbury on Ida O’Keeffe 23 Letter

Samuel Reilly in Lagos 26 Architecture Michael Hall on the stained glass of Charles Eamer Kempe 29 Q&A Haroon Mirza on sonic art,

solar power and minimalism

Cover Caresses (detail), 1896, Fernand Khnopff (1858–1921), oil on canvas, 50.5 × 150cm. Royal Museums of Fine Arts of Belgium, Brussels Photo: J. Geleyns Art Photography See feature on pp. 80–85

APOLLO DECEMBER 2018

34 Inquiry Daniel Trilling wonders if

‘political art’ is all that political 39 London Art Week Preview

Sophie Barling selects her highlights of the event

Apollo Awards 2018 44 Personality 48 Artist 52 Museum Opening 54 Exhibition 56 Book 58 Digital Innovation 60 Acquisition

Plus our survey of the year’s key acquisitions 70 Interview

Matthew Girling, Global CEO, Bonhams p. 48

Features 72 Fit for the Frick

Susan Moore talks to Sidney Knafel about his outstanding collection of French faience 80 Becoming Belgian

Tom Stammers on the mysterious paintings of Fernand Khnopff in fin-de-siècle Belgium 86 Moving Lines Jasmine Jagger on Edward Lear’s hopeless passion for the poetry of Alfred Tennyson p. 72

11

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