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The 3rd Biennial MUSEUM DESIGN SUMMIT The Transformative Power of Place July 11 + 12, 2019 Santa Fe, New Mexico at the Museum of International Folk Art To learn more: mnmlicensing.org/mds19 .com ittingshop .loopkn , www London f Loop Props courtesy o Fair Trade Textiles / Flok Art / Market Tours m i mL or tf s a o hc t r o eN h pt U exTe F Tr air Trade T xtiles / Flok Art / m i m L or t f s a o h c t r o e N h p t U y r e sav i u r e P a m ours t TT o / Marke y r e s a v , i u r e , P a m t x e rt o ef cr u o s lre a i c e p s Up the North coast from Lima, Peru, is a very special resource for textile artists: the Indigenous cotton which grows naturally in a variety of colourways. This special cotton is watched over and nourished, as it grows, by local women who use it in their weaving, knitting e h :t s t s i t r ea l i t g n i k r s wo r eva p we a r t s -k c a b h t i d w ey d re h a c i h w r o s f n r a y e g va owe h ew s o h g t n i d u l c n i h t t i s w p o h s k r o wo , d n e m wo t i s i l v l i u w o , y a n i t s i r h C t i W e lb l i ew h ds n ka r rwo i e h dt n a b k a o o l b u f i t u a e n a b et t i r s w a h ,r o h t u d A n r a a l o h c , S r e n g i s e D r e d i o mbr e d an r i e h n t t i e i s o u h n w e m l wo a c o l d e h s i r u o dn n ra ev do e h ct a w s i h T . s ya w r u o l o c f o y t e i r a v or h g c i h n w ot t o s c u o n e g i d n I and embroidery. a m i y P l evo h l t i w , s l a i r et a l m a r u t a n e h , t t a k sI u o e g r o , s r e h t d o n m a e h t d et n e l a e t s e h t t .r u o st i h g t n i d i u e g n e m e wo s e h t t u o b , z re r e i t u G a n i t s i r C .y r g n i t t i n , k g n i va r we y , b s wor t g si , a s n i ot t o c l a i c e p s n a y i l l a r u t a s n wo Designer, Scholar and Author, Cristina Gutierrez, has written a beautiful book about these women and their work and she will be guiding this tour. With Cristina, you will visit these talented women, do workshops with them and others, including those who weave gorgeous Ikat, the yarns for which are dyed with natural materials, back-strap weavers working with lovely Pima cotton, embroiderers, felters and those who make the fabulous so-called “Panama” hats. Along the way, the most important and intriguing archaeological sites and nature reserves will be visited as well as towns, villages and markets, among them, the “witches” market. Transportation is a return flight out of Lima and private bus while on tour. There is a limit of 10 participants so book soon! This is a woman only r. u ot h !T n o o ks o o ob s s t n pa i ic t r pa e h . T r u o n t e o l i h s w u e b t a v i r p h g i n fl r u t s a re n i o i t a t r o p s n a rT e h , t m e h g t n o m , a s t ek r a d m n a l l we s a d et i s i v e l b l i w s ev r e s re i ls a c i g o l o e a h cr g a n i u g i r t n i t s o e m h , t ya w e h g t n o l A d e l l a c - o s s u o l u b a e f h e t k a m s r et l e , f s r re e d i or b m , e n ot t o c y l n no a m sawo si i 0 1 f t o i m i s a l re i e d n a a m i f L t o u t o h . t ek r a ” m s e h ct i w e “ s e g a l l i , v s n wo s t a re u t a dn n sa et d n t a n a t r o p m i . s t a ” h a m a n a P d “ o h ew s o h dt n a tour. GREAT shopping for all you textile and folk art lovers and beautiful alpaca yarns too! olk art lovers and beautifu fo l you or al hopping ffo T s EA GR ul a alpaca yarns t xtile and e u tt oo! ugus 28 A t our Da 19 T 20 2019 Tour Date: 19 - 28 August e: 19 - 2 t c aperu. o@puchk inf om aP uchk om/Pc ebook. acf.www oc aperu. .puchkwww info@puchkaperu.com www.puchkaperu.com www.facebook.com/PuchkaPeruTextileTours e xtileTe ruT om ours
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With the Selvedge Fair in Bath on the horizon we asked Elaine Uttley, Collection Manager at the Fashion Museum, Bath to select a folk-inspired garment from their collection. Here Elaine tells us about an ensemble designed by Bill Gibb and chosen by Beatrix Miller of Vogue Magazine as the Fashion Museum’s (formerly the Museum of Costume) Dress of the Year for 1970. The ensemble is a bellsleeved flower print blouse and knitted waistcoat teamed with a floor-length sweeping sunray pleated tartan skirt with a wide stripe of contrasting floral printed denim inserted a few inches above the hem. The hand-knitted Fair Isle style waistcoat is by American born designer and life-long friend and collaborator of Gibb, Kaffe Fassett. Gibb himself was Scottish – from the furthest north-eastern reaches of Scotland – and Fassett had taken up knitting following a visit to a local woollen mill with Gibb. Bill Gibb’s unique vision and hallmark combination SELVEDGE 7 of bold prints and textures made him one of the most important influences on British fashion during the late 1960s and early 1970s. He was hugely excited by the dressing-up box appearance of the emerging hippie generation and inspired by his travels. A fascination since boyhood with costume and the historical past created his own ground-breaking designs that continue to resonate today. I love this quote by Beatrix Miller, Editor of British Vogue Magazine from 19641985, ‘Bill Gibb captures the essence of change with his blending of pattern, print and texture. The folkloric feeling is strong, fabrics used have deep association; tartan and Fair Isle and the long sweeping pleats and laced sleeveless waistcoat have early origins,’. It sums up the complete break with the modish fashions of the 1960s and the cultural shift that signified the birth of the 1970s. Selvedge Fair, Bath, UK, The Tea Room, The Assembly Rooms, Bennett Street, Bath, BA1 2QH, Saturday 30 March 2019, 11-5PM, www.selvedge.org

With the Selvedge Fair in Bath on the horizon we asked Elaine Uttley, Collection Manager at the Fashion Museum, Bath to select a folk-inspired garment from their collection. Here Elaine tells us about an ensemble designed by Bill Gibb and chosen by Beatrix Miller of Vogue Magazine as the Fashion Museum’s (formerly the Museum of Costume) Dress of the Year for 1970.

The ensemble is a bellsleeved flower print blouse and knitted waistcoat teamed with a floor-length sweeping sunray pleated tartan skirt with a wide stripe of contrasting floral printed denim inserted a few inches above the hem. The hand-knitted Fair Isle style waistcoat is by American born designer and life-long friend and collaborator of Gibb, Kaffe Fassett. Gibb himself was Scottish – from the furthest north-eastern reaches of Scotland – and Fassett had taken up knitting following a visit to a local woollen mill with Gibb.

Bill Gibb’s unique vision and hallmark combination

SELVEDGE 7

of bold prints and textures made him one of the most important influences on British fashion during the late 1960s and early 1970s. He was hugely excited by the dressing-up box appearance of the emerging hippie generation and inspired by his travels. A fascination since boyhood with costume and the historical past created his own ground-breaking designs that continue to resonate today.

I love this quote by Beatrix Miller, Editor of British Vogue Magazine from 19641985, ‘Bill Gibb captures the essence of change with his blending of pattern, print and texture. The folkloric feeling is strong, fabrics used have deep association; tartan and Fair Isle and the long sweeping pleats and laced sleeveless waistcoat have early origins,’. It sums up the complete break with the modish fashions of the 1960s and the cultural shift that signified the birth of the 1970s. Selvedge Fair, Bath, UK, The Tea Room, The Assembly Rooms, Bennett Street, Bath, BA1 2QH, Saturday 30 March 2019, 11-5PM, www.selvedge.org

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