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Mainstream matters In our hunt for the avant-garde and edgy, we shouldn’t forget the value of theatre staged in traditional regional theatres, says Paul Jepson Opinion, page 10


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october 11 2018

SINCE 1880

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Brexit visa rules will ‘strangle’ tours and talent

M ay b a n k s

H e l e n

Giverny Masso

Theresa May’s latest Brexit plans will “strangle the supply of vital talent” coming into the UK and cause a “bureaucratic nightmare” for touring shows, say senior performing arts figures.

According to the immigration proposals, announced earlier this month, there will be no preferential treatment for European Union workers, who will have to apply for specific category visas to come and work in the UK, as is the case for workers from the rest of the world.

The visas will be restricted to applicants who have a confirmed job offer and earn a minimum of £30,000 a year pro rata, with the potential for this to rise to £50,000, a situation that leading figures have warned is not fit for purpose.

Society of London Theatre chief executive Julian Bird said he was concerned the latest Brexit migration plans would lead to a shortage of skilled workers and “severely impact the ability of the UK theatre industry to produce the world-class work for which it is renowned”.

He added: “The proposed salary thresholds are not a good indicator of skill or value and don’t recognise that many migrant workers in theatre and performing arts are often highly skilled freelancers. Associated costs such as visa fees and a slower recruitment process would have a financial impact and increase the administrative burden on employers.”

Deputy head of policy at the Creative Industries Federation Samuel Young echoed Bird’s comments, arguing that the proposed immigration system would “strangle the supply of vital talent” coming into the UK.

Equity general secretary Christine Payne agreed, adding: “We call for the skilled occupation list to be reviewed to add other specialisms to better reflect the diverse landscape of the performing arts industries.”

Culture secretary Jeremy Wright also said allowing people into the UK on the basis of salary alone was “too blunt an instrument”, and that he would be raising the issue with the Home Office.

BECTU Brexit specialist Tony Lennon argued that the biggest effect of the proposals would be on workers deemed as “low-skilled”, including front-of-house and backstage employees, who often use their income to support their own creative projects in the UK.

The immigration proposals will also affect the ability of British artists and shows to travel across the EU, Lennon said.

He argued that the additional paperwork required, as well as charges for transporting stage equipment into Europe and vehicle licences, touring would become a “bureaucratic nightmare”, estimating that the costs of taking a show abroad would increase by 10%.

Michelle Williams, casting director at English National Opera, said: “We have covers for all our productions because we sing everything in English and we need the cover to know the translation. But many of the European houses don’t have covers and if you cannot jump on a plane to Europe without doing paperwork in advance then they are less likely to be able to get British singers in at the last minute to do this.”

Touring theatre producer David Hutchinson from Selladoor, which has produced tours in countries including Belgium and Germany, also

‘A joyful homecoming’ Kinky Boots returns to Northampton, review p19

expressed concerns, slamming the proposals as “half-baked”.

He described the proposed visa process as “completely inappropriate as a mechanism for allowing artists and productions to cross borders” and warned it would create “endless challenges and anxiety for both artists and producers in exchanging work”.

He added: “The lack of detail and reassurances from the government and some of the frankly amateur politics and headline-grabbing hyperbole surrounding Brexit negotiations of late is threatening to damage not only the livelihood of companies and artists in the UK but also the reputation of the UK as a country that values cultural exchange.”

The concerns follow an open letter published in the Observer on October 6, warning Brexit could “bring the British music industry to its knees”. The Incorporated Society of Musicians has called on freedom of movement to be protected for musicians, while the Musicians’ Union warned proposals could be “extremely detrimental” to the touring of work. Editor’s View, p6

What are the proposals?

• End to freedom of movement for EU citizens • EU citizens to apply via the same visa system used by applicants from the rest of the world • The UK’s Tier 2 visa system allows 20,700

“high-skilled workers” into the UK each year, for any length of time up to three years • To qualify, citizens must have a confirmed job offer or earn more than £30,000 pro rata • Employers to pay ‘immigrations skills charge’

for Tier 2 workers, from about £350 to £1,000 • Applicants deemed to have “exceptional talent” can apply for a special visa. However, only 2,000 of these are available per year

The Creative Industries Federation is calling on the government to: • Introduce a creative freelancers visa to enable freelancers to move more easily around the EU • Allow businesses to bring in creative workers who do not meet the above salary threshold • Scrap the immigration skills charge • Ensure visa-free travel and same-day access for those moving temporarily between EU/UK

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Want a new job? Four pages of vacancies in the theatre sector Pages 29-32

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