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Interior of Sir Michael Smurfit’s private residence, showing portraits by Sir William Orpen
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Below left A hallway in Sir Michael Smurfit’s private residence, with portraits by Sir William Orpen
IRISH EYES Irish businessman Michael Smurfit is to sell artwork estimated at £5.3m across a series of sales at Sotheby’s.
Smurfit’s 30-year collection of international and Irish artworks includes pieces by Jack B Yeats, John Lavery and William Orpen. Some 19 works from the collection, with a combined low pre-sale estimate of £2.6m, will headline Sotheby’s Irish Art sale in London next month, preceded by a public exhibition at the Royal Hibernian Academy in Dublin from August 27-20.
In a recent interview with Sotheby’s about the collection, Smurfit said: “At the start I had little and knew even less. I hadn’t very much of a clue, then slowly but surely I became interested in art, primarily through my first wife (Norma Smurfit) and then the late Tony Ryan of Ryanair, who was a great friend. Tony had a superb eye for Irish art, and he got me interested in other Irish painters too.”
The collection is headlined by Louis le Brocquy’s Travelling Woman with Newspaper, from the artist’s Tinker series, which represents one of the first modernist works of Irish art.
Bottom left Louis le Brocquy, Travelling Woman with Newspaper, has an estimate of £700,000-£1m
Below Sir John Lavery, Tennis under the Orange Trees, estimated at £300,000-£500,000 in next month’s sale
Basque in glory The National Gallery has bought a portrait by one of Spain’s foremost Impressionists, which can been viewed online.
It is the first painting by Joaquín Sorolla (1863–1923) acquired by the gallery following its exhibition on the artist last year.
The Drunkard, Zarauz (El Borracho, Zarauz), (1910) is a large-scale sketch, rapidly executed in situ as Sorolla trolled the taverns of Zarauz in the Basque Country.
Born in Valencia in 1863, Joaquín Sorolla y Bastida became a world famous painter during his lifetime, thanks to a technique that merged traditional Spanish painting with the dazzling play of sunlight.
Gallery director, Dr Gabriele Finaldi, said: “Sorolla’s brushstroke and the confident, sketch-like handling reveal him at his dazzling best.”
Above Sorrola’s The Drunkard, Zarauz (El Borracho, Zarauz), (1910)
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