Acknowledgements The chapters of this book draw on the following essays listed in order of publication. ‘A Refugee Aesthetic: Eastern European Art in the 1980s and 1990s’, in Tate: the Art Magazine, No. 20 (Spring 2000) pp.57–60 ‘Inner Visions: Contemporary Art and Domestic Space’, in Tate: the Art Magazine, No. 23 (Winter 2000) pp.38–43 ‘The Atrocity Exhibition’, in Tate: the Art Magazine, No. 26 (Autumn 2001) pp.54–57 ‘Marc Atkins: Fleeing the Light’, Introduction to catalogue Equivalents (Galeria FF, Łódź, Poland, 2001) ‘Art: the Ultimate Hostage’, in Tate: the Art Magazine, No.29 (Summer 2002) pp.54–58 ‘True Longitude’, Introduction to catalogue Marc Atkins: Equivalents (British Council, Prague, 2002) ‘Failing Better: Salcedo’s Trajectory’, in Doris Salcedo, Neither (London: White Cube, 2004) pp.9–11 ‘Waterworld’, in Anselm Kiefer, Fur Chlebnikow (London: White Cube, 2005) pp.47–48 ‘Agents and Patients’, in Ilya and Emilia Kabakov, The House of Dreams (London: Serpentine Gallery, 2005) pp.19–30 ‘The (In)complete Works of Marc Quinn’, in Marc Quinn: Recent Sculpture (Rotterdam: NAI Uitgevers and Groningen Museum, 2006) pp.126–137 ‘Nel Ponte: Interview with Marc Quinn’, in Marc Quinn, ed. Achille Bonito Oliva and Danilo Eccher (Milan: MACRO and Mondadori Electa, 2006) pp.162–195 299