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where cries of pain and cries of joy are cast amidst a childhood rarely wasted, often tortuous, and always poor. If these verses should seem obvious and ordinary, rarely touching the kingdom of heaven, then you may blame my position in life, which has had nothing heavenly about it. Reality ever lends me its hand, poverty ever keeps my feet upon the earth whenever I am inclined toward the enthusiasms of higher flights. I am neither a cynic nor a prude: to drag from me some breast-beaten poem, my wound must be great: I am never merely the moaning patient stricken with consumption. If I seem to have enjoyed showing off my poverty, it is because I am nauseated by our poets of the present age, whose so-called verse, whose barbarous luxury, whose aristocratic bent, whose ecclesiastical flummeries and sonnets-in-chains are like listening to hair-shirted hacks bum-branded with their armorials, clutching a rosary or a rattle in their fists. Behold the stuck-up daughters of their dreams, their Countesses… their Duchesses!… rather their washerwomen! If I have remained apart from them, obscure and unknown; if no one has ever beaten the drum for me; if I have never been called ‘The Eagle!’ or ‘The Swan!’ – then, upon the other hand, I have never played the puppet or the clown, or called a crowd to me to hear me as a Master with beating on a tambourine. And no man may say that I have been his apprentice. Of course, the bourgeoisie will not be alarmed by the names of those to whom I dedicate the poems of this volume: they are simply young men like myself, men with heart and courage whom I grew up with, and whom I love entirely! It is they who banish from my thoughts the dullness of life. They are honest all, friends, comrades of brotherhoods and tight-knit bands – not the paste-boarded gaggle of M. Henri delaTouche… who could never understand. Should I desist 10
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from advancing our humble names amongst great men? We are Titian and Ariosto, Molière and Mignard. To these, my sweet companions, I give this book! It was written amongst you, and you may claim it as your own. It is for you, Jehan Duseigneur, Sculptor, fair and kindly, faithful and inexhaustible in work, yet artless as a girl. Take heart! You will have your lasting day and France will have a sculptor of Her own at last – It is for you, Napoléon Thom, Painter, the hand, honour, cast of a soldier! Take heart! The breath of genius is yours! – It is for you, dear Gérard! When shall the Arbiters of Art admit upon the public the pictures that they huddle over at their little parties? – It is for you, Vigneron, who owns my deepest friendship, who proves to those of fainter hearts what perseverance may accomplish; and Jasmerai Duval, like a student-puppy, fed well at your bowl. – It is for you,Joseph Bouchardy,Engraver,heart of gunpowder! – For you, Théophile Gautier! – For you, Alphonse Brot! – For you, Augustus Mac-Keat! – For you, Vabre! For you, Léon! For you, O’Neddy! For all who I love! You who judge me by this book, and find me wanting, will be mistaken; those who crown me with laurels will be mistaken. This is no pose of small humility. For you who would accuse me of duncical nonsense – I have my poet’s faith, and laugh at you. I have no more to say, except that I might very well have made this Preface a paranymphian éthopée, or an extended Thesis ex professa – but would it not be ridiculous to put my Preface up for sale, and say so much about so little? Also, some poems are dipped in Politics. Shall I be put to scorn and anathemized as a Republican? Well, I am one. Let that prepare you. 11

where cries of pain and cries of joy are cast amidst a childhood rarely wasted, often tortuous, and always poor.

If these verses should seem obvious and ordinary, rarely touching the kingdom of heaven, then you may blame my position in life, which has had nothing heavenly about it.

Reality ever lends me its hand, poverty ever keeps my feet upon the earth whenever I am inclined toward the enthusiasms of higher flights.

I am neither a cynic nor a prude: to drag from me some breast-beaten poem, my wound must be great: I am never merely the moaning patient stricken with consumption.

If I seem to have enjoyed showing off my poverty, it is because I am nauseated by our poets of the present age, whose so-called verse, whose barbarous luxury, whose aristocratic bent, whose ecclesiastical flummeries and sonnets-in-chains are like listening to hair-shirted hacks bum-branded with their armorials, clutching a rosary or a rattle in their fists.

Behold the stuck-up daughters of their dreams, their Countesses… their Duchesses!… rather their washerwomen!

If I have remained apart from them, obscure and unknown; if no one has ever beaten the drum for me; if I have never been called ‘The Eagle!’ or ‘The Swan!’ – then, upon the other hand, I have never played the puppet or the clown, or called a crowd to me to hear me as a Master with beating on a tambourine. And no man may say that I have been his apprentice.

Of course, the bourgeoisie will not be alarmed by the names of those to whom I dedicate the poems of this volume: they are simply young men like myself, men with heart and courage whom I grew up with, and whom I love entirely!

It is they who banish from my thoughts the dullness of life. They are honest all, friends, comrades of brotherhoods and tight-knit bands – not the paste-boarded gaggle of M. Henri delaTouche… who could never understand. Should I desist

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