CONTENTS
SPRING 2022
33 Reviews 50 Cover Story Desire Machines: The Art of Kayode Ojo by Blake Oetting 66 Cover Story Processing Placelessness: When Screens take Bodies Andrea Bellini in Conversation with Shuang Li 86 Colin Self: On Shadows and Spotlights text by Isabel Parkes photography by Joseph Kadow 102 Space As a Reflection Of the Mind Olivia Erlanger in Conversation with Keller Easterling 112 Letter from the City by Mandy Harris Williams 114 Xinyi Cheng’s Intimate Assault on Reality by Ingrid Luquet-Gad 126 One to Watch Catalina Ouyang: Perilous Embodiment by Jane Ursula Harris 133 A CONSTANT CHOREOGRAPHY OF RETURNING Visual essay by Hayden Dunham 160 Profile Craig Green: Silence and the Suburbs by Charlie Robin Jones 162 Julien Creuzet’s Complex Work: Plastic Poetics, Landscapes, Hybridizations by Pascale Krief 174 Time Machine METRO PICTURES (1980–2021) Paul Taylor in conversation with Janelle Reiring and Helene Winer Originally published in Flash Art International no. 133 April 1987 182 Questionnaire For the Love of Doing Nothing: The bare minimum collective on Illness, Care, and Work
A Conversation with Olamiju Fajemisin Reviews
Baseera Khan, “I Am an Archive” Brooklyn Museum, New York / Caroline Kent, “Chicago Works” Museum of Contemporary Art Chicago / Yu Ji, “Against Shadows” Sadie Coles HQ, London / “The Real Show” CAC Brétigny / “TUNE. Sound and Beyond” Haus der Kunst, Munich / Wolfgang Tillmans, “Sound is Liquid” mumok, Vienna / Steven Parrino, Gagosian, Basel
Covers Kayode Ojo, Private Residence, New York (Patek Philippe Nautilus), 2021. C-print in polished aluminum frame. 102.9 × 68.9 × 4 cm. Edition of 3 plus 1 artist's proof. Courtesy of the artist and Sweetwater, Berlin. Shuang Li, Lord of the Flies, 2021. Performance during the exhibition “Where Jellyfish Come From” at Antenna Space, Shanghai, 2021. Courtesy of the artist and Peres Projects, Berlin.
