Skip to main content
Read page text

Editor-In-Chief Si Truss, Reviews Editor, Music Technology Simon Arblaster, Features Editor, Music Technology Matt Mullen, Managing Editor Kate Puttick, Art Editor Phil Cheesbrough,

CONTRIBUTORS Danny Turner, Hamish Mackintosh, Jono Buchanan, Martin Delaney, Rob Redman, James Russell, Bruce Aisher, Roy Spencer, Oli Bell, Simon Fellows, Adam Lee, Olly Curtis, Robbie Stamp, Jon Musgrave, Greg Scarth, Daryl Robertson ADVERTISING For Ad enquiries please contact: Kyle Phillips, MARKETING Direct Marketing Executive: Will Hardy PRODUCTION & DISTRIBUTION Production Controller: Fran Twentyman Production Manager: Mark Constance​ Printed in the UK by: William Gibbons & Sons Ltd on behalf of Future Distributed in the UK by:​ Marketforce (UK), 2nd Floor, 5 Churchill Place, Canary Wharf, London, E14 5HU Tel: +44 (0) 203 787 9001 CIRCULATION Head of Newstrade: Tim Mathers SUBSCRIPTIONS Order line and enquiries: +44 (0)330 333 1113 Online enquiries: Email: INTERNATIONAL LICENSING AND SYNDICATION Future Music is available for licensing and syndication. Contact the Licensing team. Head of Print Licensing: Rachel Shaw, MANAGEMENT Senior Vice President, Tech, Games & Ents: Aaron Asadi Brand Director, Music: Stuart Williams Content Director: Scott Rowley Global Head of Design: Rodney Dive Head of Design (Music): Brad Merrett Group Art Editor: Graham Dalzell

Future Music, ISSN 0967-0378 November issue 376, is published monthly with an extra issue in December by Future Publishing, Quay House, The Ambury, Bath, BA1 1UA. UK The US annual subscription price is $197.60. Airfreight and mailing in the USA by agent named World Container Inc, c/o BBT, 150-15 183rd St, Jamaica, NY 11413, USA. Application to Mail at Periodicals Postage Prices is Pending at Brooklyn NY 11256. US POSTMASTER: Send address changes to Future Music, World Container Inc, c/o BBT, 150-15 183rd St, Jamaica, NY 11413, USA


DAWs of perception Probably more so than with any other bit of music making gear, producers can get very tribal about their DAWs. Sure, it’s common to find specific synths or plugins with their ardent fans or detractors, but DAW users are a particularly defensive bunch. Try telling a Live user how much you like Logic’s looping tools, or a Cubase user why Studio One is better for scoring, and you’ll no doubt be met with some defensive diatribe worthy of the depths of Reddit. While it makes sense to learn one DAW and stick with it, there’s also something to be said for reaching across the divide and exploring a new application – and the fresh ways of working that can come with it. That’s what we’re doing this issue: taking a long look at the DAW market in 2022 and asking if it’s time to rethink a few of your long- held preconceptions. We hope you enjoy the issue.

We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) certification and accreditation All contents © 2022 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. If you submit material to us, you warrant that you own the material and/or have the necessary rights/ permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions.

Si Truss, Editor-In-Chief


My Bookmarks

    Skip to main content