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Found around 85 results for CORRIS in Art Monthly.
Art Monthly March 2020 | 434 13
Thatcher’s 1979 victory at the polls’. The DIY approach was already in evidence prior to punk, not least in Conceptual Art. In his 2012 article on ‘The Un-artist’ (Feature AM357), Michael Corris reports that, alongside many other artists active in the 1960s and 1970s, Ian Burn, together with his close collaborator Mel Ramsden, ‘was an enthusiastic autodidact whose aim was in part to collect the inte
Art Monthly September 2014 | No 379 16 Subscription
Art Cannot Be Taught, 2001). The latter text is more or less aimed at students, a cohort whose views about such matters should be centre stage in any analysis or commentary on art education. MICHAEL CORRIS Dallas, Texas Dave Beech responds: I have tried to address the current crisis in art education by providing a historical map of its coming into being. Corris wants confession and complicity. He
Art Monthly Jul-Aug 2014 | No 378 OBC
Hampton 31 BOOKS Round-up: Art, Politics and Play Peter Suchin 32 FILM Mareike Bernien & Kerstin Schroedinger: Rainbow’s Gravity Colin Perry 33 RESPONSE & REPLY On Teaching the Unteachable Michael Corris Dave Beech 35 REPORTS Global Art Forum 2014: Meanwhile … History* JJ Charlesworth 36 Neon Foundation, Athens Chris Fite-Wassilak 37 ARTLAW Small Claims Henry Lydiate 38 LISTINGS Art Monthly 4th Fl
Art Monthly Jul-Aug 2014 | No 378 34 Subscription
to capitalism. While philosophy played its part in this revolution, philosophy alone did not realise the bourgeois reform of the aristocratic apparatus of cultural production and reproduction. What Corris fails to grasp is that the transition from considering painting, sculpture and music among the arts to the concept of art in general was accomplished by defining art for the first time through the
Art Monthly Jul-Aug 2014 | No 378 33 Subscription
CHAEL CORRIS is professor of art, Meadows School of the Arts, Southern Methodist University, Dallas.
Art Monthly June 2012 | No 357 OFC
JUNE 2012 | No 357 | UK£4.40 US$7.40 Mohamed Bourouissa Interviewed by Anna Dezeuze The Un-artist Michael Corris Practice Morgan Quaintance Sarah Pierce Profile by Chris Fite-Wassilak
Art Monthly June 2012 | No 357 OBC
.co.uk COVER Benedict Drew GLISS, Phrase II 2012 detail 01 INTERVIEW Protocol Mohamed Bourouissa interviewed by Anna Dezeuze 05 FEATURES The Un-artist What do artists need to know? asks Michael Corris 09 Practice Practice is not a counterfeit term argues Morgan Quaintance 14 COMMENT EDITORIAL LETTERS 16 NEWS ARTNOTES 19 OBITUARIES 20 PROFILE Sarah Pierce Chris Fite-Wassilak 22 REVIEWS
Art Monthly June 2012 | No 357 5 Subscription
Features 01 | Mark Prince on the xxxxx What do artists need to know? asks Michael Corris The Un-artist Allan Kaprow Yard 1961 performance by Lucas Samaras and Allan Kaprow at Martha Jackson Gallery New York J UN 12 | ART MONTHLY | 357 Allan Kaprow was inclined to state the obvious to
Art Monthly June 2012 | No 357 8 Subscription
MICHAEL CORRIS is professor of art and chair of the Division of Art, Meadows School of the Arts/SMU and the editor of a series on art since 1980, forthcoming from Reaktion Books, London
Art Monthly April 2010 | No 335 34 Subscription
A common theme among many interviews is the notion of building a community through collective production. Several artists, including Christian Jankowski, Jon Thompson, John Armleder, Michael Corris and John Hilliard, find it most productive to work in collaboration with their students on an actual project rather than to teach individual skills such as painting or sculpture. Vanalyne Green, who
