Found around 160 results for colin perry in Art Monthly.
, IS TAKEN AS SOMETHING BOTH ‘MAGICAL’ AND ‘INSIDIOUS’. ‘Crude’ installation view Raja’a Khalid Fortune/Golf 2014 detail Iraqi Petroleum Company from 1954 to 1960, expanding on this fact (Features Colin Perry ‘Art & Oil’ AM369). Framed nearby is a 2006 New Yorker article that considers US interests in Iran following the 2003 Iraq invasion as another development in the history of western
18 NEWS ARTNOTES 21 OBITUARY Ed Allington 22 REVIEWS EXHIBITIONS New North and South Virginia Whiles 23 15th Istanbul Biennial: A Good Neighbour Jamie Sutcliffe 25 Zach Blas: Contra-Internet Colin Perry 26 Miranda July: Interfaith Charity Shop Mark Wilsher 27 Sofia Hultén: Here’s the Answer, What’s the Question? Mark Prince 28 We The People Are The Work Martin Holman 30 Everything we see could
6 Dixon St 248 8177 Grace Weaver to 9 Dec Mary Mary 6 Dixon St 226 2257 Group Show 14 Nov-20 Jan Modern Institute 14-20 Osborne St 248 3711 Martin Boyce to 4 Nov Platform 1000 Westerhouse Rd 276 9670 Colin James Tennant to 19 Nov Street Level Photoworks Trongate 103 552 2151 Aleksandra Vajd & Markéta Othová to 18 Nov The Common Guild 21 Woodlands Terrace 428 3022 Michael Stumpf to 26 Nov Slow Objects
Exchange Sq 287 3050 Marlie Mul to 29 Oct Mary Mary 6 Dixon St 226 2257 Sara Barker to 28 Oct Modern Institute 14-20 Osborne St 248 3711 Martin Boyce to 4 Nov Platform 1000 Westerhouse Rd 276 9670 Colin James Tennant to 19 Nov Street Level Photoworks Trongate 103 552 2151 Aleksandra Vajd & Markéta Othová to 18 Nov Tramway 25 Albert Drive 276 0950 Luiz Roque to 15 Oct Stuart Middleton to 23 Oct Megan
CONTENTS July-August 2017 www.artmonthly.co.uk Issue No 408 40th year COVER Jesse Darling Bliss Symbols Protest Posters 2017 exhibited in ‘Mene Mene Tekel Parsin’ 1 FEATURES Truth to Tell Colin Perry asks whether Twitter destroyed truth or created a greater appetite for it 6 Artist/Worker/Misfit? Dave Beech looks at the changing conception of the artist 11 Screening Mark Prince on the limits of
step up to be chair of the Courtauld Institute of Art, succeeding James Hughes-Hallet. Browne is a deeply controversial figure in the arts (see ‘Driller Killer’ Artnotes and ‘Art & Oil’ by Colin Perry in AM369, Editorial AM390) partly because he was the author of the Browne Review which led to the end of state funding for university arts courses but also because of his connection with fossil fuels