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Found around 55 results for edward henderson in The Wire.
The Wire December 2021 (Issue 454) 73 Subscription
what’s worth listening to or what’s particularly British about it. But as a reference text, Tape Leaders allows you to make your own connections and sends you off down your own research rabbit holes. Edward Henderson
The Wire September 2021 (Issue 451) 82 Subscription
the strings. Benjamin airily bows parts of the neck of the instrument while using the fingers on her other hand to tap out pulses on the string, making the violin speak in delicately unstable ways. Edward Henderson
The Wire March 2021 (Issue 445) 84 Subscription
. In Joel Thompson’s piece Clairvoyance, a solemn trio of vocalists intone “Can we immunise against fear?” against a background of people marching with masks in case you’re struggling to get it. Edward Henderson
The Wire February 2021 (Issue 444) 79 Subscription
. Online, the quality of the experience is so much poorer that you need more of everything to be kept engaged. As a new medium, how things look is important as how things sound in online concerts. Edward Henderson
The Wire June 2020 (Issue 436) 70 Subscription
diva repertoire, memorably lip-syncing to “Subterreanean Homesick Blues” by Bob Dylan. In adding a further twist to lip-syncing, all these artists reveal its greater potency as an artistic tool. Edward Henderson
The Wire June 2020 (Issue 436) 76 Subscription
the midst of enforced atomisation, a moment of communion. Prerecorded iterations of her own voice join her to create dissonant, ghostly counterpoint as she gradually slumps, exhausted, to the floor. Edward Henderson
The Wire April 2020 (Issue 434) 83 Subscription
can do it with the much looser trombone embouchure is extraordinary. Olencki’s playing and composition invites you to take intense pleasure in the physicality of both experiencing and creating sound. Edward Henderson
The Wire November 2019 (Issue 429) 84 Subscription
non-commercial arts spaces, work is presented that is genuinely confrontational and challenging. They reject the mollycoddling, consumer-centric paradigm pervasive across the arts and shake us awake. Edward Henderson
The Wire September 2019 (Issue 427) 82 Subscription
professional musicians being professional which understands that people concentrating very hard on something complicated is fascinating to watch, but which gives little away about the musicians. Edward Henderson
The Wire September 2018 (Issue 415) 82 Subscription
, clubs Tim Spooner Lady Vendredi Bastard Assignments + Thick & Tight + Lady Vendredi Block 336, London, UK Bastard Assignments is a collective of composer-performers that includes Timothy Cape, Edward Henderson, Caitlin Rowley and Josh Spear. Consisting of six performances that interrogate the remix and its role on the stage, the evening begins simply and ends in a riot of colour, playfulness and
