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Found around 55 results for edward henderson in The Wire.
The Wire February 2021 (Issue 444) 79 Subscription
. Online, the quality of the experience is so much poorer that you need more of everything to be kept engaged. As a new medium, how things look is important as how things sound in online concerts. Edward Henderson
The Wire June 2020 (Issue 436) 76 Subscription
the midst of enforced atomisation, a moment of communion. Prerecorded iterations of her own voice join her to create dissonant, ghostly counterpoint as she gradually slumps, exhausted, to the floor. Edward Henderson
The Wire June 2020 (Issue 436) 70 Subscription
diva repertoire, memorably lip-syncing to “Subterreanean Homesick Blues” by Bob Dylan. In adding a further twist to lip-syncing, all these artists reveal its greater potency as an artistic tool. Edward Henderson
The Wire April 2020 (Issue 434) 83 Subscription
can do it with the much looser trombone embouchure is extraordinary. Olencki’s playing and composition invites you to take intense pleasure in the physicality of both experiencing and creating sound. Edward Henderson
The Wire November 2019 (Issue 429) 84 Subscription
non-commercial arts spaces, work is presented that is genuinely confrontational and challenging. They reject the mollycoddling, consumer-centric paradigm pervasive across the arts and shake us awake. Edward Henderson
The Wire September 2019 (Issue 427) 82 Subscription
professional musicians being professional which understands that people concentrating very hard on something complicated is fascinating to watch, but which gives little away about the musicians. Edward Henderson
The Wire September 2018 (Issue 415) 82 Subscription
, clubs Tim Spooner Lady Vendredi Bastard Assignments + Thick & Tight + Lady Vendredi Block 336, London, UK Bastard Assignments is a collective of composer-performers that includes Timothy Cape, Edward Henderson, Caitlin Rowley and Josh Spear. Consisting of six performances that interrogate the remix and its role on the stage, the evening begins simply and ends in a riot of colour, playfulness and
The Wire March 2018 (Issue 409) 77 Subscription
On Location Festivals, concerts, clubs Lia Kohl’s sorry, thanks: (from left) Timothy Cape, Alex Ellsworth, Edward Henderson, Nick Meryhew, Ryan Zerna juric itri D im D Bastard Assignments + Mocrep Total Refreshment Centre, London, UK “Do you know much about drum ’n’ bass?” “Well… uh… I know the name…” Two men are se
The Wire January 2018 (Issue 407) 41 Subscription
he influence of visual artists like Ryan Trecartin and Tino Sehgal (both of whom have had work in the otherwise largely composer-centric London Contemporary Music Festival). As composer Edward Henderson of Bastard Assignments said regarding artworks like Sehgal’s This Progress or Martin Creed’s Work No 569: Piano: “That’s music! That’s what I do! You’re a composer, Tino! It’s more than notes. But th
The Wire September 2017 (Issue 403) OBC Subscription
GIL SCOTT-HERON MANDINGO GRIOT SOCIETY WITH DON CHERRY ROY AYERS UBIQUITY PHILIPCOHRAN SARAH WEBSTER FABIO PHIL RANELIN HORACE TAPSCOTT WITH THE PAN AFRIKAN PEOPLES ARKESTRA DAVID MCKNIGHT JOE HENDERSON ONENESS OF JUJU DOUG CARN DUKE EDWARDS AND THE YOUNG ONES CARLOS GARNETT FREEDOMRHYTHM & SOUND REVOLUTIONARY JAZZ COVER ART 1965-83 COMPILED BY GILLES PETERSON AND STUART BAKER SOUL JAZZ BOOKS
