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Found around 60 results for edward henderson in The Wire.
The Wire November 2019 (Issue 429) 84 Subscription
non-commercial arts spaces, work is presented that is genuinely confrontational and challenging. They reject the mollycoddling, consumer-centric paradigm pervasive across the arts and shake us awake. Edward Henderson
The Wire September 2019 (Issue 427) 82 Subscription
professional musicians being professional which understands that people concentrating very hard on something complicated is fascinating to watch, but which gives little away about the musicians. Edward Henderson
The Wire September 2018 (Issue 415) 82 Subscription
, clubs Tim Spooner Lady Vendredi Bastard Assignments + Thick & Tight + Lady Vendredi Block 336, London, UK Bastard Assignments is a collective of composer-performers that includes Timothy Cape, Edward Henderson, Caitlin Rowley and Josh Spear. Consisting of six performances that interrogate the remix and its role on the stage, the evening begins simply and ends in a riot of colour, playfulness and
The Wire March 2018 (Issue 409) 77 Subscription
On Location Festivals, concerts, clubs Lia Kohl’s sorry, thanks: (from left) Timothy Cape, Alex Ellsworth, Edward Henderson, Nick Meryhew, Ryan Zerna juric itri D im D Bastard Assignments + Mocrep Total Refreshment Centre, London, UK “Do you know much about drum ’n’ bass?” “Well… uh… I know the name…” Two men are
The Wire January 2018 (Issue 407) 41 Subscription
the influence of visual artists like Ryan Trecartin and Tino Sehgal (both of whom have had work in the otherwise largely composer-centric London Contemporary Music Festival). As composer Edward Henderson of Bastard Assignments said regarding artworks like Sehgal’s This Progress or Martin Creed’s Work No 569: Piano: “That’s music! That’s what I do! You’re a composer, Tino! It’s more than notes. But
The Wire September 2017 (Issue 403) OBC Subscription
GIL SCOTT-HERON MANDINGO GRIOT SOCIETY WITH DON CHERRY ROY AYERS UBIQUITY PHILIPCOHRAN SARAH WEBSTER FABIO PHIL RANELIN HORACE TAPSCOTT WITH THE PAN AFRIKAN PEOPLES ARKESTRA DAVID MCKNIGHT JOE HENDERSON ONENESS OF JUJU DOUG CARN DUKE EDWARDS AND THE YOUNG ONES CARLOS GARNETT FREEDOMRHYTHM & SOUND REVOLUTIONARY JAZZ COVER ART 1965-83 COMPILED BY GILLES PETERSON AND STUART BAKER SOUL JAZZ BOOKS
The Wire August 2017 (Issue 402) OBC Subscription
SCOTT-HERON MANDINGO GRIOT SOCIETY WITH DON CHERRY ROY AYERS UBIQUITY PHILIP COHRAN SARAH WEBSTER FABIO PHIL RANELIN HORACE TAPSCOTT WITH THE PAN AFRIKAN PEOPLES ARKESTRA DAVID MCKNIGHT JOE HENDERSON ONENESS OF JUJU DOUG CARN DUKE EDWARDS AND THE YOUNG ONES CARLOS GARNETT SOUL OF A NATION: ART IN THE THE AGE OF BLACK POWER EXHIBITION AT THE TATE MODERN, LONDON (JULY-OCT 2017) SOUL JAZZ
The Wire August 2016 (Issue 390) 10 Subscription
around them. He worked for the English Folk Dance And Song Society and the BBC, and as an independent operator he collaborated with prominent folk archivists and collectors such as Alan Lomax, Hamish Henderson, Sean O’Boyle and Séamus Ennis. “What makes this website unique is the way it contextualises recordings and photographs of performers with Peter’s own notes about them,” says Andrew Pace, who has
The Wire March 2016 (Issue 385) 27 Subscription
Finnissy’s four Organ Symphonies (completed during 2008) reflected consciously on the cultural history and repercussions of organ music from Bach to Messiaen. Meanwhile, another British composer, Edward Henderson, issued a tempting invitation in 2014 to a concert in St John’s Church, Notting Hill in West
The Wire February 2016 (Issue 384) 14 Subscription
vicariously participate in, a procession of organised noises that would nonetheless communicate equally well to the deaf. The piece is by Timothy Cape, one of the two principal curators – along with Edward Henderson – in a composers’ collective called Bastard Assignments, based in South London. They met around 2012 when both were studying at Trinity Laban Conservatoire. For one particular coursework
